Burzum

 

Varg Vikernes began making music in 1988 with the band Kalashnikov.^[9] The following year, the name was changed to Uruk-Hai, after the creatures from J. R. R. Tolkien's The Lord of the Rings.^[8][9] In 1990 and 1991, Vikernes played guitar for the death metal band Old Funeral, which also consisted of members who would later form the band Immortal. He appears on the Old Funeral EP Devoured Carcass. Vikernes left Old Funeral in 1991 to concentrate on creating his own musical visions. He had a short-lived project called Satanel, along with Abbath Doom Occulta. He then began a solo project under the name Burzum. The word "burzum" means "darkness" in the Black Speech, a language crafted by Tolkien. Soon after recording two demo tapes, he became part of the Norwegian black metal scene. With his demo tapes, he had attracted attention from Øystein "Euronymous" Aarseth of Mayhem, who had just recently formed Deathlike Silence Productions. Aarseth then signed Burzum to the label, and shortly after, Vikernes―under the pseudonym of Count Grishnackh (another name adapted from The Lord of the Rings)―began to record Burzum's self-titled debut album. According to Vikernes' autobiography on his website, he had intended to record the album in the worst recording quality possible (due to this being a typical trademark of the early Norwegian black metal scene), while still making it sound acceptable. Burzum's eponymous debut album was released in 1992, being the second album released on Deathlike Silence Productions. The song "War" from this album had a guest appearance from Euronymous, playing a guitar solo "just for fun", according to Vikernes.

Vikernes has stated that he had never played any live shows with Burzum, though at one point was interested in it,^[11] so Samoth of Emperor accompanied him as a session bassist, though only appearing on the Aske EP.^[12] Additionally, Erik Lancelot was hired to be the band's drummer,^[13] though did not record on any Burzum material, and along with Samoth did not play a live show. Vikernes had by then lost his interest in playing live concerts, and stated that he "didn't even need session musicians anymore". Therefore, Samoth and Lancelot had parted ways with Burzum. Det som engang var was released as Burzum's second album in 1993, recorded in 1992.

 

May 1994 saw the release of Hvis lyset tar oss, a new album of previously recorded material from 1992. Burzum remained as a solo project until 1994, when Vikernes was arrested for the murder of Euronymous and the burnings of several churches in Norway. During his time in prison, Vikernes released his next album, titled Filosofem, on 1 January 1996. Recorded in March 1993, Filosofem was the last recording Vikernes made before his imprisonment. Burzum / Aske, a compilation comprising the Burzum album and Aske EP, was released in 1995. While imprisoned, Vikernes managed to record two other albums in a dark ambient style. They were released as Dauði Baldrs (1997) and Hliðskjálf (1999). Both of these albums were created with a synthesizer, as Vikernes was prohibited from using any other instruments in prison.

In 1998, all Burzum albums released up to that point were re-released as vinyl picture discs in a special box set called 1992–1997; however Filosofem did not contain "Rundtgåing av den transcendentale egenhetens støtte" due to its length. The regular vinyl issue of Filosofem on Misanthropy had tracks 1–4 plus "Decrepitude II" on side 1 and "Rundtgåing av den transcendentale egenhetens støtte" on side 2.

 

Soon after being released, Vikernes started writing new tracks (nine metal tracks and an ambient intro and outro) for an upcoming Burzum album. According to Vikernes' recounts, several record companies were interested in releasing his first album in eleven years. He stated about the new album, "I want to take my time, and make it the way I want it. It will be metal, and the fans can expect genuine Burzum."

The album was going to be originally titled Den hvite guden (The White God),^[14] but he later decided to change it to Belus, which was released by the independent record label Byelobog Productions (byelobog is the transliteration of "белобог" in Slavic languages, meaning 'white god', Belobog) on 8 March 2010.^[15][16] It was also announced that a movie would be released in 2010, based on Varg Vikernes' life in the early 1990s. The movie would mainly draw inspiration from the book Lords of Chaos, with the film being of the same name. Vikernes expressed his contempt towards both the movie and the book upon which it is based.^[17]

A second new album of original Burzum material, Fallen, was released on 7 March 2011,^[18] followed by a compilation album, From the Depths of Darkness, containing re-recordings of tracks from Burzum's self-titled album and Det som engang var, on 28 November 2011.^[19] A third new studio album of original material, titled Umskiptar, was released in May 2012.^[20] Sôl austan, Mâni vestan ("East of the Sun, West of the Moon"), Burzum's first electronic album since 1999, was released in May 2013.^[21] On 27 April 2013, a song was posted on the official YouTube channel of Vikernes, titled "Back to the Shadows".^[22] In a blog post, Vikernes stated that "Back to the Shadows" would be the last metal track released by Burzum.^[23] Another album, The Ways of Yore, was released in June 2014.^[24]

After a period of inactivity, Vikernes posted a video on his YouTube account in June 2018 announcing that "[he had] moved on [from Burzum]", saying "bye bye" to the project.^[25]

In July 2018, a YouTube user named Hermann posted unreleased materials of Uruk-Hai from 1988 to 1990 and Burzum's Bergen prison recordings from 1994, which he received from Tiziana Stupia.^[26]

In October 2019, Vikernes posted a tweet saying he intended to release another album as Burzum.^[27] He announced that the tentative name of the album would be Thulêan Mysteries, which would have 23 songs.^{[28][better source needed]} The tracks from the album were previously used as background music on Vikernes' YouTube channel, which was taken down the same year. Vikernes also said that the music of Thulêan Mysteries is meant to be used as a background soundtrack for his MYFAROG role-playing game. On 18 December, Vikernes tweeted the album cover for Thulêan Mysteries and announced its release date as 13 March 2020. Vikernes has stated it would be Burzum's last album at the time.^[29][30][31]

On 8 September 2023, Vikernes released a new song titled "The Reincarnation of Ódinn". In April 2024, Vikernes announced the return of the project on his X account, with a new album titled "The Land of Thulê". It is the first metal album since Umskiptar. From late April to May 2024 Vikernes released numerous singles from the upcoming album under the name "Burzum (NEW)". Vikernes claimed on his X account that he is only releasing the music as "Burzum (NEW)" because he does not control the Burzum accounts on major streaming services, and that the album will be released as "Burzum" when complete. However, the album art Vikernes used for the released singles all list the project name as "Burzum (NEW)". On November 4th 2024, Vikernes announced the end of the project on his X account saying "I stopped making music (again), because I appreciate a lot more to work with my books, and especially #ReconQuest. And I don't have the time for it all.".

Burzum's music includes both straightforward black metal as well as dark ambient, neofolk^[2] and neo-medieval music. It is often minimalist and dark, with repetition and simple song structures. Vikernes has described Burzum as a kind of "spell" or recreation of an imaginary world tied in with Pagan history.^[9] Each album, he claims, was designed as a kind of "spell" in itself, with each beginning song intending to make the listener more susceptible to "magic", the following songs to inspire a "trance-like state of mind", and the last song to carry the listener into a "world of fantasy" (dreams, for the listener would fall asleep—Burzum was supposed to have been evening music).^[9] Vikernes claims the intent to create this fantasy world came from dissatisfaction with the real world.^[9] He has stated the "message" of Burzum can be found in the lyrics of the first song of the first album ("Feeble Screams from Forests Unknown").^[9]

Burzum's lyrics and imagery are often inspired by fantasy and Norse mythology, and do not feature the far-right political views Vikernes is known for.^[10] In a 2010 interview, Vikernes said: "Burzum is not a political or religious band, or even an anti-religious band. Burzum is music; art if you like, and the interpretation of art lies in the eye of the beholder. I might be Nordic, heterosexual and have a Pagan ideology myself, but why would I expect the fans of my music to be just like me?".^[32] Despite the project's apolitical nature, Burzum is included on Meta's Dangerous Individuals and Organizations list.^[33]

Burzum's early work was influenced by Tolkien; for example, Vikernes' early moniker "Count Grishnackh" is taken from an orc character called Grishnákh in Tolkien's works.^[9] Burzum is a word of the Black Speech of Mordor meaning "darkness" (though Vikernes views what Christians consider "darkness" as "light"),^[9] and is inscribed on the One Ring in Tolkien's The Lord of the Rings.^[34]

Vikernes said that the German thrash metal band Destruction "changed my approach towards playing my instrument" despite having only discovered them in 1991. In a 1996 interview with Terrorizer, Vikernes also named Bathory's Blood Fire Death and Celtic Frost's Morbid Tales as significant influences on Burzum.^[35] He credited Dead Can Dance's Within the Realm of a Dying Sun for being one of Burzum's first non-metal influences.^[9] Other non-metal artists he has cited as influence include the Cure, Depeche Mode and New Order.^[36] In 2011, Vikernes said that he no longer kept up with new black metal bands and listened mostly to the Cure instead.^[37]

Burzum is widely considered to be the most influential act in black metal history.^[4][6][7] Bands that have listed Burzum as an influence include Deafheaven,^[38] Liturgy,^[39] Wolves in the Throne Room^[40] and Altar of Plagues.^[41] The project has also inspired musicians from other genres, including Chelsea Wolfe,^[42] Mount Eerie,^[43] Thurston Moore,^[44] and Vision Eternel.^[45]

Main releases

• Burzum (1992)
• Det som engang var (1993)
• Hvis lyset tar oss (1994)
• Filosofem (1996)
• Dauði Baldrs (1997)
• Hliðskjálf (1999)
• Belus (2010)
• Fallen (2011)
• Umskiptar (2012)
• Sôl austan, Mâni vestan (2013)
• The Ways of Yore (2014)
• Thulêan Mysteries (2020)^[46]
• The Land of Thulê (2024)

EPs

• Aske (1993)

Singles

• "Mythic Dawn" (2015)
• "Forgotten Realms" (2015)
• "Thulean Mysteries" (2015)
• "The Reincarnation of Ódinn" (2023)
• "The Magic of the Grave" (2024)
• "The Hidden Name" (2024)^[47]
• "The Nature of the Gods" (2024)
• "The Call of the Kraken" (2024)
• "Beyond the Gate" (2024)
• "Winds of the Vanished Realm" (2024)
• "Memories in the Mist" (2024)

Demos and promos

• Burzum Demo (1991)
• Reh/Demo 91 (1991)
• Burzum Promo (1992)

Music videos

• "Dunkelheit" (1996)

Compilation albums

• Burzum / Aske (1995)
• Burzum Anthology (2002) (bootleg)
• Draugen – Rarities (2005) (bootleg, mistakenly featuring an Ildjarn track)
• Burzum Anthology (2008)
• From the Depths of Darkness (2011)
• Foreldra (2019)
• Thulê (2019)
• Unreleased Material 1988–1994 (2021)^[a]

Box sets

• Burzum 1992–1997 (1998)
• Burzum 1992–1999 (2010)
• XIII (2018)
• In the Arms of Darkness (2019)

Other appearances

• Presumed Guilty (1998) (contributed "Et hvitt lys over skogen")
• Gummo soundtrack (1998) (contributed "Rundtgåing av den transcendentale egenhetens støtte")
• Fenriz Presents... The Best of Old-School Black Metal (2004) (contributed "Ea, Lord of the Depths")

• List of ambient music artists

• Official website
• Burzum at AllMusic