Before the Rain (1994 film)

A tragic tale of fated lovers set against the background of political turbulence in Macedonia and contemporary London, three love stories intertwine to create a portrait of modern Europe.

When a mysterious incident in the Macedonian mountains impacts people and events beyond its origin, it threatens to start a civil war and brings together a silent young monk, a London picture editor and a disillusioned war photographer. Told in three parts, and linked by characters and events, Before the Rain explores the uncompromising nature of war as it ravages the lives of the unsuspecting, and forces the innocent to take sides.

The sequence of the sections telling the story could be viewed beginning with any of the three (Words, Faces, Pictures; Faces, Pictures, Words; or Pictures, Words, Faces). Watching the film, an intended inconsistency becomes apparent. The end of Words shows Zamira gunned down and killed by her family when she tries to escape them. Still photos of the scene are shown in Faces. The sudden reappearance of Zamira's photo and Kiril's voice (in a telephone call) in Pictures, coupled with the ending, returns the story to the beginning – which could temporarily hoodwink the viewer that this is the first part of the film. But a close observation of the man lying dead near the beginning of Words shows he is Aleksandar Kirkov, while Zamira is hiding at Kiril's after having killed one of the Macedonians.^[1] Faces, set in London, has a living Aleksandar Kirkov, whose close friend Anne is developing black-and-white pictures of a dead Zamira. The motto of the film is, "The Circle is not Round." The message is written as graffiti on a wall shown in Pictures and is repeated in the other two parts by Father Marko. The director suggests that in life, people and places may change, but overshadowing scenarios (such as conflicts) go backward and forward in a cycle.^{[citation needed]}

One of the main points of focus in the film is the ethnic clash that existed between Orthodox Macedonians and the Albanian Muslim minority in the early 1990s. It offers a view on how sociocultural norms and mechanisms can give rise to nationalism that grows into phobia of the foreign. Additionally, through the character of Aleksandar, the film offers a view of the "cultural shock" and foreignness he experiences upon reintegrating and returning to his home country after being away.^[2]

The creation of the film served partly as a homecoming for Manchevski, who had lived in New York City since the 1980s.^[3] That said, the film was initially not set in Macedonia. Manchevski had originally hoped to sidestep political specifics by setting the film in an anonymous country.^[4]

The film's non-linear three-act structure was inspired by Aleksander Petrović's film Three (1965).^[3] The film also contains allusions to Sergei Eisenstein, Andrei Tarkovsky, and others. For example, the scene where Aleksandar whistles "Raindrops Keep Fallin' on My Head" while riding his bicycle is a conspicuous nod to Butch Cassidy and the Sundance Kid, directed by George Roy Hill.^[5]

The film was distributed in more than 50 countries. It was a hit in the cinemas in Italy, Sweden (where it stayed in the theaters for 54 weeks), Turkey, Argentina, Brazil, Mexico, FR Yugoslavia, etc. In the US theaters it grossed $763,847.

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 92% based on 37 reviews.^[6] Film critic Roger Ebert described Before the Rain as one of the best films of the year and dubbed it "extraordinary". He further praised Manchevski's "clear, ironic, elliptic style" and called it "an art film about war, in which passions replace ideas".^[7]

At the 67th Academy Awards that took place in 1995, the film was nominated in the category for Best Foreign Language Film, marking the Republic of Macedonia's first nomination ever in the award show.^[8] However, it lost to the film Burnt by the Sun by Nikita Mikhalkov.^[9] The film also won the Golden Lion at the 51st Venice International Film Festival, alongside Vive L'Amour by Tsai Ming-liang.^[10] It was also nominated for the Grand Prix in 1996 by the Belgian Syndicate of Cinema Critics.^[11] In addition to the aforementioned awards, the film also won 30 other awards.

The New York Times writers Vincent Canby and Janet Maslin included Before the Rain in their book The New York Times Guide to the Best 1000 Movies Ever Made published in 1999.^[17] The film has been part of the curricula at numerous universities and in the Italian and Turkish high schools. An interdisciplinary academic conference in Florence was dedicated to the film, and it has been the subject of numerous essays and books. Katarzyna Marciniak, a scholar from Ohio University, argued in her essay that the film, in addition to being a cautionary tale for people from the Former Yugoslav Republic, also served as a message to Westerners and American citizens "to recognize the problematic 'doubleness' embedded in the concept of national identity".^[2]

• 2008 The Criterion Collection, Region 1 DVD (Spine #436), June 24, 2008 — Includes audio commentary by Milcho Manchevski and film scholar Annette Insdorf, an interview with Rade Serbedzija, a short 1993 documentary about the making of the film, and an essay by film scholar Ian Christie.^[18]
• It has also been released in Italy, Brazil, UK, France, Turkey, North Macedonia, Japan, Argentina, and Mexico.

The music for the film was written and performed by Anastasia. It was released on a CD in 1994 by PolyGram Records, and sold thousands of copies worldwide.

The song "Sanjam" by Indexi is also briefly featured.

• List of submissions to the 67th Academy Awards for Best Foreign Language Film
• List of Macedonian submissions for the Academy Award for Best Foreign Language Film

 

Wikiquote has quotations related to Before the Rain (1994 film).

• Before the Rain at IMDb
• Before the Rain at AllMovie
• Before the Rain at the TCM Movie Database
• Before the Rain at Rotten Tomatoes
• Before the Rain: Never-Ending Story an essay by Ian Christie at the Criterion Collection