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The Piano Teacher (film)

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This is an old revision of this page, as edited by 31.51.219.193 (talk) at 19:33, 16 September 2013 (I removed "in the Dogme 95 style". I am sorry but this film is far from Dogme 95. The director is credited, a handheld camera is not used all the time (a dolly cam is used), non-diegetic music is played and there is evidently superficial lighting used.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Piano Teacher
French promotional poster
Directed byMichael Haneke
Screenplay byMichael Haneke
StarringIsabelle Huppert
Benoît Magimel
CinematographyChristian Berger
Edited byMonika Willi
Nadine Muse
Music byMartin Achenbach
Distributed byKino International
Release dates
  • 14 May 2001 (2001-05-14) (Cannes)
  • 5 September 2001 (2001-09-05) (France)
Running time
120 minutes
CountriesFrance
Austria
LanguageFrench
Budget€3,000,000
Box office$13,897,768[1][2]

The Piano Teacher (Template:Lang-fr) is a 2001 film written and directed by Michael Haneke, starring Isabelle Huppert and Benoît Magimel. The film is based on the novel The Piano Teacher, by Elfriede Jelinek, who received the Nobel Prize for Literature in 2004.[3]

Plot

Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a psychiatric asylum.

The audience is gradually shown truths about Erika's private life. Behind her assured façade, she is a woman whose sexual repression is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation, indicating symptoms of Borderline Personality Disorder.

When Erika meets Walter Klemmer (Benoît Magimel), a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.

Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter — and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.

Walter pursues Erika into a restroom immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter, mirroring her own relationship with her mother.

Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. She is humiliated and orders him to leave.

The next day Erika takes a kitchen knife to the concert in which she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with Anna and her mother. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street. The implication is that further self-harm will ensue.

Cast

Critical reception

The film won a slew of awards on the European circuit, most notably the Grand Prix at the 2001 Cannes Film Festival, with the two leads, Huppert and Magimel, winning Best Actress and Best Actor.

Awards

Won

2001 Cannes Film Festival

2002 César Awards

2002 German Film Awards

  • Best Foreign Film

2001 European Film Academy

  • Best European Actress - Isabelle Huppert

2002 L.A. Film Critics Association

  • Best Actress (Runner-up) - Isabelle Huppert

2002 National Society of Film Critics

  • Best Actress (Runner-up) - Isabelle Huppert

2001 Russian Guild of Film Critics

  • Best Foreign Actress - Isabelle Huppert
  • Best Foreign Film

2002 San Francisco Film Critics Circle

  • SFFCC Award - Best Actress - Isabelle Huppert

2002 Seattle International Film Festival

  • Golden Space Needle Award - Best Actress - Isabelle Huppert

Nominated

2002 Bafta Awards

  • Best Film not in the English Language

2003 Bodil Awards

  • Best Non-American Film

2001 Cannes Film Festival

2002 César Awards

2001 British Academy Awards

  • Best Foreign Language Film - Michael Haneke
  • Best Foreign Language Film - Veit Heiduschka

2001 European Film Academy

  • Best European Film
  • Best European Screenplay - Michael Haneke

2002 Independent Spirit Award

  • Best Foreign Film

See also

References

  1. ^ http://boxofficemojo.com/movies/?id=pianoteacher02.htm
  2. ^ http://boxofficemojo.com/movies/intl/?page=&wk=2001W38&id=_fLAPIANISTE01
  3. ^ Nobel Prize - 2004
  4. ^ a b c d "Festival de Cannes: The Piano Teacher". festival-cannes.com. Retrieved 2009-10-17.
Awards
Preceded by Grand Prix, Cannes
2001
Succeeded by