Irka Mateo

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Find sources: "Irka Mateo" – news · newspapers · books · scholar · JSTOR (July 2022) (Learn how and when to remove this message) This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Please help improve this article by introducing more precise citations. (July 2022) (Learn how and when to remove this message) This article's lead section may be too short to adequately summarize the key points. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. (February 2023) (Learn how and when to remove this message)

Irka Mateo
Origin	Dominican Republic
Genres	World music
Instrument(s)	Vocals, percussion

Irka Mateo is a Taino Dominican singer-songwriter and world music artist.

Her artistic sensibility incubated in Spain, France, Brazil, Canada, the United States and her native Dominican Republic. In the late 1970s and early 1980s she lived in Europe (Spain and France) where she immersed herself in the emerging world music scene. In the late 1980s she moved to Canada, where she worked with the best artists in that country performing regularly at the Montreal Jazz Festival and other events and venues. It was also in Montreal that she recorded the Spanish-language version of Sucre Amer, a song in defense of Haitian sugar cane workers – the recording that led to her opening for The Fugees when they played in Haiti in 1996.

In 1998 she returned to Quisqueya (Hispaniola). Along with performing in the country and the wider Caribbean she spent the next 10 years immersing herself in the islands its folk music; founded on popular religious celebrations and Taino culture. The result is music much more infused with Afro and Taíno traditions. This work also lead Mateo to co-founding Guabancex, Wind and Water Society dedicated to the popularization and preservation of native culture. In her performances she dons a native headdress during the singing of "Anacaona" — a song that is essentially a passion play of the Taino queen hanged by the Spanish Conquistadors.

During this period she also collaborated with Luis Días (composer) on his recording EL TERROR EN VIVO (with Transporte Urbano)

Along with this field work in the Dominican Republic, Mateo has toured performing in concerts and festivals in the Caribbean and Latin America; including a performance in front of 100,000 people in Mexico City.

In 2008, Grammy Award-winning producer, Daniel Blumenfield, of GoodandEvil, Inc. discovered Mateo music and brought her to New York. She followed up with the release of the album Anacaona in 2009.

On November 16, 2017, Mateo & La Tirindanga released Vamo a Gozá, an album with 9 tracks. The album is described^{[by whom?]} as "expanding the boundaries of Dominican music, while building bridges to Latin America, the Caribbean, Africa and the United States."

• Culture of the Dominican Republic
• Tainos

• Official site Archived December 22, 2017, at the Wayback Machine
• New Notes about Taíno Music and its Influence on Contemporary Dominican Life By Lynne Guitar
• Interview on NY1 Noticias: August 2009^{[permanent dead link‍]}
• The Dominican musician, composer, and musicologist Irka Mateo^{[dead link‍]}
• LAS INVESTIGACIONES FOLKLÓRICAS DE Archived April 18, 2010, at the Wayback Machine
• Radio Magico Review^{[permanent dead link‍]}
• Review of Anacaona
• Brazilian beat hits Bam Boo :[FIN Edition]. (August 10, 1990). Toronto Star,p. E16.
• KATHRYN GREENAWAY. (June 27, 1995). Sucre Amer: how sweet it isn't; CD by Quebec foursome to aid exploited Haitians :[FINAL Edition]. The Gazette,p. D.6.
• Encuentro Irka Mateo y Voces News
• Irka Mateo y La Tirindanga – Vamo a Gozá (2017)