For Your Eyes Only (film): Difference between revisions

For Your Eyes Only (1981) is the twelfth spy film in the James Bond series, and the fifth to star Roger Moore as the fictional MI6 agent James Bond.

The screenplay takes its characters from and combines the plots of two short stories from Ian Fleming's collection For Your Eyes Only; the title story and "Risico". It also includes elements inspired by the novels Live and Let Die (the keelhauling sequence), Goldfinger (the identigraph sequence) and On Her Majesty's Secret Service (the opening at the graveyard).

In the film, Bond and Melina Havelock become tangled in a web of deception spun by rival Greek businessmen against the backdrop of Cold War spy games. Bond is after a missile command system known as the ATAC (a MacGuffin introduced to tie together the original stories' plots), whilst Melina is out to avenge the murder of her parents. As well as seeing a conscious return to the style of the early Bond films and the works of 007 creator Fleming, and therefore a more gritty, realistic approach (following the science-fiction Bond film Moonraker), the film is perhaps unusual for the Bond series in having a strong narrative theme: revenge and its personal consequences. FYEO was also the first James Bond film to be directed by Bond editor/second unit director John Glen (the film also marks his feature film directorial debut), who would then direct the following four Bond films over a span of eight years (he directed every Bond movie that was released in the 1980s).

The film was released on 24 June 1981; despite its mixed critical reception, the film was a monetary success, generating $195.3 million worldwide, which helped save United Artists from bankruptcy after their 1980 box-office disaster Heaven's Gate by Michael Cimino. For Your Eyes Only was the last James Bond movie to be distributed solely by United Artists; they merged with MGM soon after and began focusing on blockbusters rather than personal films.^[1]

In the pre-title sequence, Bond is picked up at his wife's gravesite by a helicopter; he escapes after being trapped in the aircraft. It is remotely controlled by Blofeld — who was accomplice to Tracy's assassin Irma Bunt. Blofeld pilots the helicopter around various parts of London before Bond manages to gain control of the helicopter and turn it on Blofeld, who is in a motorized wheelchair; picking him up, Bond then drops him into a smokestack, presumably killing him. This has no relevance, nor is it mentioned again, in the main story.

The film then turns its focus to the fishing trawler St Georges of Valletta in the Ionian Sea off of Albania, which is revealed to be a British spy ship equipped with Automatic Targeting Attack Communicator (ATAC), the system used by the Ministry of Defence to communicate with and co-ordinate the Royal Navy's fleet of Polaris submarines. The ship dramatically sinks when an old naval mine becomes entangled in the fishing nets and pulled into the hull, causing it to explode and flood the lower compartments of the ship.

Sir Timothy Havelock (Jack Hedley), a marine archaeologist based in Greece, is contacted by the British government to secretly locate the St Georges. However, before he can give a report, he and his wife are shot down by a Cuban hitman, Hector Gonzales (Stefan Kalipha), who passes their yacht in a machine-gun equipped floatplane. Havelock's daughter Melina (Carole Bouquet) survives and vows revenge.

The British Minister of Defence and his Chief of Staff summon James Bond (Roger Moore) and assign him the task of recovering the ATAC. They explain that if the transmitter were retrieved underwater by another superpower the Polaris submarines' ballistic missiles could be used against major western cities. Bond is sent to Spain after Gonzales to find out who hired him. While Bond is spying on Gonzales' villa, he is captured by his men. Just as Bond is about to be killed, Melina kills Gonzales with an arrow. Their attempt to escape together is thwarted when one of Gonzales' henchmen triggers the self-destruction device in Bond's Lotus Esprit. However, Melina owns a Citroën 2CV which proves to be rather slow, yet very resilient in the following car chase by two bigger and more powerful Peugeot sedans driven by Gonzales's henchmen; they manage to disable both of the other cars in the Spanish highlands with a series of clever manoeuvres.

After identifying a hitman (Michael Gothard) in Gonzales's estate (Emile Leopold Locque) who appeared to be paying him, Bond is led to a well-connected Greek businessman and intelligence informant, Aris Kristatos (Julian Glover), in Cortina d'Ampezzo, a resort in northern Italy's Dolomites, by MI6's Italian contact Luigi Ferrara. Kristatos later tells Bond that the man he saw is employed by Milos Columbo, a Greek Smuggler. Kristatos's 15-year-old protégée Bibi Dahl (Lynn-Holly Johnson), a figure skating champion, attempts to seduce Bond who rebuffs her. Bond is also forced to contend with Eric Kriegler (John Wyman), a German biathlete. Kriegler attempts to kill Bond with his biathlon rifle, and pursues him on a machine gun armed motorcycle, over a chalet balcony, down a bobsleigh track, and into a farm where Bond escapes. Later that day, 007 arrives in his Lotus with Ferrara at an indoor ice rink to bid Bibi farewell before she departs for Greece. After she leaves, three men dressed in hockey gear attempt to kill Bond on the rink, but again he manages to fend them off. When Bond returns to his Lotus, he discovers Luigi dead with his throat slit and a Dove (the symbol of Columbo) pin in his hand. Several days later, 007 travels to Corfu in pursuit of Columbo. At his privately owned casino, Bond dines with Kristatos whilst spying on Columbo and his Austrian girlfriend Countess Lisl von Schlaf (Cassandra Harris). Unbeknownst to Kristatos and Bond, they are being eavesdropped on by Columbo with a tape recorder hidden in their table's candle. Seeing an opportunity to learn more about Columbo, Bond offers to escort Lisl home by Kristatos's chauffeur in his Rolls-Royce. The chauffeur also happens to be one of Kristatos's chief henchmen who secretly listens in on Lisl and Bond's conversation. Upon arrival, Lisl invites 007 in for a drink. Eventually, Lisl admits that she was sent by Columbo in order to find out more information about the secret agent, which Columbo informed her of. She also reveals herself to be British - a native of Liverpool. The two then spend the night together. In the morning, Locque and another assassin, Claus, ambush Lisl and Bond in dune buggies on the beach. In spite of Bond's efforts, Locque manages to coldly run Lisl down, killing her.

When Bond is captured by men working for Columbo (Chaim Topol) — who have saved him from being killed by Locque and his accomplice — it emerges that Locque is actually in the employ of Kristatos who himself is in the employ of the KGB. Kristatos is attempting to recover the ATAC for the KGB, and has set up Columbo as the villain as the latter knows too much about Kristatos's KGB leanings. Columbo proves this connection to Bond by allowing Bond to take part in a raid on one of Kristatos's opium-processing warehouses in Albania, where they find Locque. In the warehouse Bond uncovers false rolls of paper containing unrefined poppy syrup, and additional naval mines similar to the one that sank the St. Georges, suggesting that the sinking was not an accident. Locque places explosives to destroy this evidence and flees as the building explodes into a fierce inferno, destroying all the heroin which was stored there. He then loses control of his Mercedes when Bond wounds him by shooting him through the car's windshield, and ultimately ends up teetering on the edge of a cliff. Bond approaches him there, tosses the Dove pin from Ferrara into the car after implying to Locque that he was the killer, and gives the car a solid shove, sending Locque plunging to his death.

Bond and Melina later recover the ATAC from the wreckage of the St Georges, but Kristatos is waiting for them when they surface, and he takes the ATAC from them. He attempts to dispose of them by dragging them behind his yacht while sharks circle in the water; however, Bond effects their escape. They discover Kristatos's rendezvous point when Melina's parrot Max repeats the phrase "ATAC to St. Cyril's".

With Columbo's help, Bond, Columbo's team, and Melina break into an abandoned mountaintop monastery, St. Cyril's, being used by Kristatos to meet KGB chief General Gogol (Walter Gotell) where he will turn over the ATAC. Bond climbs up the sheer face of the mountain, but is kicked off the precipice by the same henchman Apostis who chauffeured 007 and the countess and free falls over two hundred feet and is still secured to the rope attached to him and near the edge from which he fell. Using only his shoe ties as a stirrup, 007 climbs up the rope while Apostis dislodges the pitons securing Bond's ropes. Before reaching the top, 007 hurls a piton into Apostis, who falls to his death off the cliff. Bond finally makes it to the peak, commandeers the lift basket and brings the rest of the team up. As Columbo confronts Kristatos, Bond disposes of Erich Kriegler and shoves him out a window where he falls to his demise.

Bond eventually retrieves the ATAC system and talks Melina out of killing Kristatos after he surrenders. Kristatos tries to kill Bond with a hidden weapon, but Columbo throws a knife at the villain from behind and kills him. Gogol arrives by helicopter to collect the ATAC, but Bond throws it over the cliff and it is dashed to pieces on the rocks below, with the quip, "That's détente, comrade. You don't have it; I don't have it." General Gogol gives Bond an understanding smile and departs. Bond and Melina later spend a romantic evening aboard her father's yacht. When a call from the office comes in, patched through to the home of Prime Minister Margaret Thatcher (Janet Brown), Bond passes it along to Max while he and Melina prepare for a moonlight swim.

• Roger Moore as James Bond An MI6 agent sent to retrieve a stolen "ATAC" system that could be misused for controlling British military submarines.
• Carole Bouquet as Melina Havelock: The daughter of marine archeologists who are murdered while tracking down the ATAC's whereabouts.
• Julian Glover as Aristotle Kristatos: Main villain. A smuggler planning to expand his fortune by selling the ATAC to the KGB.
• Chaim Topol as Milos Columbo: Kristatos' former smuggling partner who assists Bond in his mission. Named after Gioacchino Colombo, the Ferrari engine designer, specifically Ferrari 125, which Fleming admired.^[2]
• Lynn-Holly Johnson as Bibi Dahl: An ice-skating prodigy who is training with the financial support of Kristatos.
• Michael Gothard as Emile Leopold Locque: A hired killer and associate of Kristatos.
• Cassandra Harris as Countess Lisl von Schlaf: Columbo's mistress.
• Jill Bennett as Jacoba Brink: Bibi's skating coach.
• John Wyman as Erich Kriegler: An Olympic class athlete and Kristatos' henchman/KGB contact. Writer Jeremy Black said that he resembles Hans of You Only Live Twice and Stamper of Tomorrow Never Dies.^[3]
• Desmond Llewelyn as Q: MI6's "quartermaster" who supplies Bond with multi-purpose vehicles and gadgets useful for the latter's mission.
• James Villiers as MI6 Chief of Staff Bill Tanner: Bond's friend and colleague in the MI6.
• Jack Hedley as Sir Timothy Havelock: A marine archeologist hired by the British Secret Service to secretly locate the wreck of St. Georges.
• Lois Maxwell as Miss Moneypenny: The secretary of M.
• Geoffrey Keen as Fredrick Gray: The British Minister of Defence, a minister in the British government.
• John Moreno as Luigi Ferrara: 007's MI6 contact in northern Italy.
• Walter Gotell as General Gogol: Head of the KGB and previous ally of MI6.
• Jack Klaff as Apostis: One of Kristatos's henchmen and chauffeur.
• Stefan Kalipha as Hector Gonzales: A Cuban hitman hired by Kristatos to kill the Havelocks.
• Charles Dance as Claus, an associate of Locque.
• Janet Brown as Prime Minister Margaret Thatcher: the Prime Minister appears in the closing scene.
• John Hollis and Robert Rietty (voice) (both uncredited) as Ernst Stavro Blofeld: Bond's archenemy and the head of SPECTRE. Originally thought to have met his demise in the film Diamonds Are Forever, he re-appears in this film, but is presumably killed when he is thrown down a factory chimney.
• Bob Simmons, who previously portrayed Bond in the gun barrel sequences in the first three films and SPECTRE agent Colonel Jacques Bouvar in Thunderball, cameos as another villain as Gonzales' henchman who falls victim to Bond's exploding Lotus.

Bernard Lee died in January 1981 before he could film his scenes as M, the head of MI6, as he had done in the previous eleven films of the James Bond series. Out of respect, no new actor was hired to assume the role. Instead, the script was changed so that the character is said to be on vacation while Chief of Staff Bill Tanner takes over the role as acting head of MI6.

For Your Eyes Only marked a creative change of direction for the Bond film series. John Glen was promoted from his duties as a film editor to director, a position he would occupy throughout the 1980s. A result of this was a harder-edged directorial style, with less emphasis on gadgetry and large action sequences in huge arenas (as was favoured by Lewis Gilbert). More emphasis on tension, plot, and character was also added in addition to a return to Bond's more serious roots.

The film is the first of the James Bond series to move Ian Fleming's name in the credits; from over the title of the film to over "James Bond 007".

The film was also a deliberate effort to bring the series more back to reality, following the huge success of Moonraker in 1979. To that end, the story that emerged was simpler, not one in which the world was at risk, but returning the series to that of a Cold War thriller.

According to the DVD interview, Michael G. Wilson said that Richard Maibaum asked him to collaborate on the screenplay after bouncing ideas back and forth. Their writing partnership would continue until Licence to Kill, which coupled with John Glen's consistency at director, helped shape the franchise for a decade.

In order to blend the plots of the two short stories, several changes were made for the film. Since the film is set in Greece, closer to the location of "Risico" than to that of "For Your Eyes Only", the Havelocks were changed from being Jamaican, as in the short story, to an Anglo-Greek couple (Mr. Havelock being English and Mrs. Havelock being Greek). Havelock's daughter, "Judy," was also renamed "Melina" in the film, the Greek word for honey (a reference to the first screen Bond girl's name). The film also contains elements from several Ian Fleming stories: The warring smuggler characters Kristatos and Columbo come from "Risico". The keelhauling sequence comes from the novel Live and Let Die, a scene unused in the previous film adaptation. The Identigraph comes from the novel Goldfinger, where it was originally called the "Identicast". The film's opening, with Bond laying flowers at the grave of his wife, refers to both the film On Her Majesty's Secret Service and a scene in the novel where it is revealed that 007 visits annually the grave of Vesper Lynd (from Casino Royale).

Initially it seemed Roger Moore would not return as 007 for this outing, so interviews and screentests were held for a replacement. At the forefront were Lewis Collins, famous for his role as Bodie in The Professionals, Michael Billington, who previously appeared in The Spy Who Loved Me as Agent XXX's ill-fated lover and best known as Col. Paul Foster in Gerry Anderson's "UFO" and Ian Ogilvy, who like Moore had made his name playing Simon Templar in Return of the Saint. Eventually, however this came to nothing as Moore signed on to play the superspy once again.

For Your Eyes Only is noted for its pre-title sequence which sees the final comeuppance of the supervillain Ernst Stavro Blofeld, Bond's enemy in five previous films. The sequence of the film was initially scripted to aid the introduction and establishment of a new actor to portray James Bond since Roger Moore, who had starred in four previous films as Bond, was reluctant to return. The sequence begins with Bond laying flowers at the grave of his wife, Tracy Bond, but ends with Blofeld attempting to get even with Bond for foiling his plans and for the downfall of his criminal organization SPECTRE. The industrial chimney in the opening scene was part of the North Thames gasworks in London.

For this film, Blofeld is deliberately not named due to copyright restrictions with Kevin McClory, who owned the film rights to Thunderball, which supposedly includes the character Ernst Stavro Blofeld, the organization SPECTRE, and other material associated with the development of Thunderball. The demise of Blofeld was added to show that the James Bond series did not need Blofeld and was also done after a number of attempts by Kevin McClory to produce a rival Bond film based on his ownership of the screen rights to Thunderball. This includes a failed attempt in the late 1970s of an original Bond film that resulted in a lawsuit brought about by EON Productions and United Artists. Nevertheless McClory was able to film a remake of Thunderball entitled Never Say Never Again in 1983.

Overall, For Your Eyes Only accumulated a box office gross of $195,300,000, and became the second highest grossing Bond film after its predecessor, Moonraker. This was the last James Bond film to be solely released by United Artists. Following the MGM and United Artists merger, the films were released by "MGM/UA Distribution Co".

Caroline Cossey, who was used in a pool scene, turned out to have Klinefelter's Syndrome, an intersex condition. Urban legends about the incident greatly exaggerated Cossey's role, from a non-speaking "girl at pool" to someone who had "heavy love scenes" with Moore.^[4] In reality, Cossey appears only fleetingly and is only clearly visible in one or two shots.

Many of the underwater scenes, especially involving close-ups of Bond and Melina, were actually faked on a dry soundstage. A combination of lighting effects, slow-motion photography, wind, and bubbles added in post-production, gave the illusion of the actors being underwater. Actress Carole Bouquet reportedly had a preexisting health condition that prevented her from performing actual underwater stuntwork.

The film was shot mainly in Greece on locations such as Meteora, Corfu, and the Achilleion. Other locations included England (Pinewood Studios with 007 Stage), Italy, and The Bahamas.

According to Roger Moore on the DVD interview, he was reluctant to do the scene where Bond kicks the car, with Locques inside, over the edge, saying that it "was Bond-like, but not Roger Moore Bond-like." Michael G. Wilson corroborated this, adding that he and Richard Maibaum, along with John Glen, toyed with other ideas surrounding that scene, but ultimately everyone, even Roger Moore, agreed to do the scene as originally written. In the same interview, Roger Moore also recalled his great fear of heights, which was a problem since Bond had climbing scenes up the side of a cliff. Moore implies he resorted to moderate drinking to calm his nerves.

Later in that same sequence, Rick Sylvester, a Bond veteran and stuntman, did the stunt when Bond falls off the side. The stunt was dangerous, since the sudden stop at the bottom could be fatal. Sylvester recalled that his nerves nearly got the better of him: "From where we were [shooting], you could see the local cemetery; and the box [to stop my fall] looked like a casket. You didn't need to be an English major to connect the dots." The stunt went off without a problem.

During filming of the escape on the bobsleigh track in Cortina d'Ampezzo, one of the stuntman driving a bobsleigh was killed during the first day of production.

The title song was sung by Sheena Easton, who holds the distinction of being the first title song artist to appear on screen in a Bond film. The producers of the film wanted Blondie to perform the title song, written by Bill Conti and Michael Leeson. Blondie declined, so a different song with the same title was recorded by Sheena Easton instead. Blondie's version of "For Your Eyes Only", can be found on their 1982 album, The Hunter.

Bond historian John Brosnan (who wrote James Bond in the Cinema) noted in his review for the magazine Starburst that the movie was similar to 1969's On Her Majesty's Secret Service with all the skiing action and 1973's Live and Let Die for essentially being one long chase. Brosnan also noted that the MacGuffin for the movie (the ATAC) had actually been added to the movie after the main plot had been written.

The film received mixed to positive reviews from critics and was seen as a significant improvement over the previous film. Rotten Tomatoes gives the film a 74% "fresh" rating.^[5] "There are exciting moments, but most of it is standard Bond fare," wrote Danny Peary, who went on to describe For Your Eyes Only as "an attempt to mix spectacle with [the] tough, believable storylines of early Bond films. Moore does a good job, coming through as a convincing action hero for a change. The film itself is great in comparison to the previous Bond film, Moonraker, and is enjoyable while you're watching it. Afterward, it's one of the most forgettable of the Bond series."^[6] IGN ranks For Your Eyes Only as the ninth-best James Bond movie, MSN ranks it as the sixth-best, and Entertainment Weekly ranks it as the eleventh-best. Raymond Benson, the author of nine Bond novels, called For Your Eyes Only Roger Moore's best Bond film.^[7]

IGN ranked Melina as 5th in a Top 10 Bond Babes list.^[8] Nevertheless, Entertainment Weekly ranks her as the worst babe of the Roger Moore James Bond films.^[9]

The original poster for the film featured a woman holding a crossbow. She was photographed from behind, and her outfit left the bottom half of her buttocks exposed. The effect was achieved by having the model (Joyce Bartle, of New York) wear a pair of bikini bottoms backwards, so that the part seen on her backside is actually the front of the suit. While the image is considered tame by today's standards, in 1981 it caused outrage. The studio was forced to create several versions of the poster with superimposed garments covering the offending area.^[10]

Prior to the film's release, Marvel Comics was given permission to publish a two-issue comic book adaptation. The first issue was released in October 1981 and was soon followed by the second issue in November of the same year. It was also reprinted the same year in magazine and paperback book form. Both issues of the adaptation were written by Larry Hama and edited by Dennis O'Neil.

Two major differences in the comic book include the addition of M, who was technically in the initial drafts of the screenplay until Bernard Lee's death in early 1981, and the villain's given name, which for unknown reasons was "Ari Kristatos" instead of the film's "Aris Kristatos" (or "Aristotle Kristatos", although he is referred to as "Uncle Ari" both by Bond and Bibi Dahl in the film). The comic also includes additional suggestive dialogue from Bibi Dahl, aimed at Bond, that does not appear in the final film.

When For Your Eyes Only aired on ABC's Bond Picture Show on 29 June 2002, although the background graphics with theme song performer Sheena Easton remained unchanged, new opening credit titles were created, changing the font from Arial to Franklin Gothic. Whereas in the theatrical version the titles were arranged with crew members' positions on the left and names on the right, the Bond Picture Show version positioned crew members' names under their titles. Also, whereas the original opening title contained the listing "Roger Moore as Ian Fleming's James Bond-007" (with the 007 looking like the standard 007 gun logo), the Bond Picture Show version of opening titles replaced the 007 logo with just a plain "007".

• Differences between James Bond novels and films

Wikiquote has quotations related to For Your Eyes Only (film).

• For Your Eyes Only website
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• For Your Eyes Only at Rotten Tomatoes
• For Your Eyes Only at Box Office Mojo