Esther Fernández: Difference between revisions
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{{Short description|Mexican actress (1915–1999)}} |
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{{More citations needed|date=August 2024}} |
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{{Infobox person |
{{Infobox person |
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| name |
| name = Esther Fernández |
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| image |
| image = Esther Fernández publicity photo for Two Years Before the Mast (1946).jpg |
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| caption |
| caption = Fernández circa 1936 |
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| birth_name |
| birth_name = María Esther Fernández González |
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| birth_date |
| birth_date = {{Birth date|1915|08|23}} |
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| birth_place |
| birth_place = [[Mascota]], [[Jalisco]] [[Mexico]] |
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| death_date |
| death_date = {{death date and age|1999|10|21|1915|08|23}} |
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| death_place |
| death_place = [[Mexico City]], [[Mexico]] |
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| occupation |
| occupation = [[Film actress]] |
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| years_active |
| years_active = 1933–1997 |
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}} |
}} |
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'''María Esther Fernández González''' (23 August 1915 – 21 October 1999) was a Mexican actress. |
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'''María Esther Fernández González''' (August 23, 1915 in [[Mascota]], [[Jalisco]] [[Mexico]] – October 21, 1999 in [[Mexico City]], [[Mexico]]) was a [[Mexico|Mexican]] [[film]] and television actress. She was one of the first major female stars of the "[[Golden Age of Mexican cinema]]" in the 1930s and 1940s. |
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==Life and career== |
==Life and career== |
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Esther Fernández began her career as an extra in the film ''[[The Woman of the Port (1934 film)|La Mujer del Puerto]]'' (1934). Her first starring role was in the early horror film ''El baúl macabro'' (Miguel Zacarías, 1936). Her beauty and charisma drew the attention of film director [[Fernando de Fuentes]], who gave her the female lead role of Crucita in the rural musical ''[[Allá en el Rancho Grande|Allá en el rancho Grande]]'' (1936), opposite [[Tito Guizar]]. Some critics consider the unexpected success of this film throughout Latin America as marking the start of the Golden Age of Mexican cinema. |
Esther Fernández began her career as an extra in the film ''[[The Woman of the Port (1934 film)|La Mujer del Puerto]]'' (1934). Her first starring role was in the early horror film ''El baúl macabro'' (Miguel Zacarías, 1936). Her beauty and charisma drew the attention of film director [[Fernando de Fuentes]], who gave her the female lead role of Crucita in the rural musical ''[[Allá en el Rancho Grande|Allá en el rancho Grande]]'' (1936), opposite [[Tito Guizar]]. Some critics consider the unexpected success of this film throughout Latin America as marking the start of the Golden Age of Mexican cinema. |
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During the rest of the 1930s, Fernández played mostly ingénues in movies like ''Mi candidato'' (1938), with [[Joaquín Pardavé]] and [[Pedro Armendàriz]], and ''Los de abajo'' (1939), with [[Isabela Corona]] and [[Emilio Fernández]]. She caught the attention of [[Paramount Pictures]], which had already contracted Tito Guizar, and earned her a contract to work in Hollywood. Though she trained for two years as a starlet, the Paramount studio executives never cast her in a movie and she returned to Mexico. |
During the rest of the 1930s, Fernández played mostly ingénues in movies like ''Mi candidato'' (1938), with [[Joaquín Pardavé]] and [[Pedro Armendàriz]], and ''Los de abajo'' (1939), with [[Isabela Corona]] and [[Emilio Fernández]]. She caught the attention of [[Paramount Pictures]], which had already contracted Tito Guizar, and earned her a contract to work in Hollywood. Though she trained for two years as a starlet, the Paramount studio executives never cast her in a movie and she returned to Mexico. |
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In 1943 Fernández was cast to play the title character in the second sound version of the classic Mexican film ''[[Santa (1943 film)|Santa]]'', directed by [[Norman Foster (director)|Norman Foster]] and co-starring [[Ricardo |
In 1943 Fernández was cast to play the title character in the second sound version of the classic Mexican film ''[[Santa (1943 film)|Santa]]'', directed by [[Norman Foster (director)|Norman Foster]] and co-starring [[Ricardo Montalbán]], then at the start of his film career. The couple and the director reunited to make ''[[The Escape (1944 film)|The Escape]]'' (1944), based on a Guy de Maupassant story. In 1946 Fernández was finally able to star in a Paramount film ''[[Two Years Before the Mast (film)|Two Years Before the Mast]].'' She played a Mexican-American woman returning to California from Spain for an arranged marriage. However, although it was the only important female character, the adventure film focused on the male cast, headed by [[Alan Ladd]] and [[Brian Donlevy]]. |
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[[File:Brian-Donlevy-Esther-Fernandez-Alan-Ladd-Two-Years-Before-the-Mast.jpg|thumb|left|Fernández with [[Brian Donlevy]] and [[Alan Ladd]] in ''[[Two Years Before the Mast (film)|Two Years Before the Mast]]'' (1946).]] |
[[File:Brian-Donlevy-Esther-Fernandez-Alan-Ladd-Two-Years-Before-the-Mast.jpg|thumb|left|Fernández with [[Brian Donlevy]] and [[Alan Ladd]] in ''[[Two Years Before the Mast (film)|Two Years Before the Mast]]'' (1946).]] |
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Fernández continued her career in Mexico, starring in films like ''Flor de durazno'' (1945), ''[[Ramona (1946 film)|Ramona]]'' (1946), ''[[Cantaclaro]]'' (1947), ''Solo Veracruz es Bello'' (1948), ''[[Doña Perfecta (film)|Doña Perfecta]]'' (1950), playing the daughter of [[Dolores del Río|Dolores del Rio]], and ''Los Hijos del Rancho Grande'' (1956). |
Fernández continued her career in Mexico, starring in films like ''Flor de durazno'' (1945), ''[[Ramona (1946 film)|Ramona]]'' (1946), ''[[Cantaclaro]]'' (1947), ''Solo Veracruz es Bello'' (1948), ''[[Doña Perfecta (film)|Doña Perfecta]]'' (1950), playing the daughter of [[Dolores del Río|Dolores del Rio]], and ''Los Hijos del Rancho Grande'' (1956). |
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Fernández became romantically involved with the actor and singer [[Antonio Badú]] and during this period often co-starred with him. |
Fernández became romantically involved with the actor and singer [[Antonio Badú]] and during this period often co-starred with him. |
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She was absent from acting for two years, due to hepatitis. When she returned, the producers had forgotten her and stopped offering her movies. During her retirement years she was dedicated to painting. |
She was absent from acting for two years, due to hepatitis. When she returned, the producers had forgotten her and stopped offering her movies. During her retirement years, she was dedicated to painting. |
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In 1989, Fernández returned to |
In 1989, Fernández returned to stardom in the Mexican [[telenovela]] ''[[Simplemente María (1989 telenovela)|Simplemente María]]''. In 1992, she returned to the cinema with the film ''Los Años de Greta'', opposite Beatriz Aguirre and [[Meche Barba]]. Her last appearance was in the film ''Reclusorio II'' (1997).<ref name="Agrasánchez Jr. 2001, p. 42-45">Agrasánchez Jr. (2001), p. 42-45</ref> |
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Fernández died of natural causes in 1999. |
Fernández died of natural causes in 1999. |
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==Partial filmography== |
==Partial filmography== |
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{{columns-list|colwidth=30em| |
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* ''[[The Woman of the Port (1934 film)|La Mujer del Puerto]]'' (1934) |
* ''[[The Woman of the Port (1934 film)|La Mujer del Puerto]]'' (1934) |
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* ''[[Allá en el Rancho Grande]]'' (1936) |
* ''[[Allá en el Rancho Grande]]'' (1936) |
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* ''[[Two Years Before the Mast (film)|Two Years Before the Mast]]'' (1946) |
* ''[[Two Years Before the Mast (film)|Two Years Before the Mast]]'' (1946) |
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* ''Solo Veracruz es Bello'' (1948) |
* ''Solo Veracruz es Bello'' (1948) |
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* ''[[The |
* ''[[The Shadow of the Bridge]]'' (1948) |
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* ''La carne manda'' (1948) |
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* ''[[Doña Perfecta (film)|Doña Perfecta]]'' (1951) |
* ''[[Doña Perfecta (film)|Doña Perfecta]]'' (1951) |
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* ''Los hijos del Rancho Grande'' (1956) |
* ''Los hijos del Rancho Grande'' (1956) |
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* ''Los Años de Greta'' (1992) |
* ''Los Años de Greta'' (1992) |
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* ''Reclusorio II'' (1997) |
* ''Reclusorio II'' (1997) |
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}} |
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==References== |
==References== |
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{{reflist}} |
{{reflist}} |
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⚫ | |||
*{{IMDb name|id=0273488|name=Esther Fernández}} |
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==Bibliography== |
==Bibliography== |
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* {{cite book |last= Agrasánchez Jr. |first= Rogelio |title= Bellezas del cine mexicano/Beauties of Mexican Cinema. |year= 2001|publisher= Archivo Fílmico Agrasánchez|isbn= 968-5077-11-8}} |
* {{cite book |last= Agrasánchez Jr. |first= Rogelio |title= Bellezas del cine mexicano/Beauties of Mexican Cinema. |year= 2001|publisher= Archivo Fílmico Agrasánchez|isbn= 968-5077-11-8}} |
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⚫ | |||
*{{IMDb name}} |
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{{Authority control}} |
{{Authority control}} |
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[[Category:1915 births]] |
[[Category:1915 births]] |
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[[Category:1999 deaths]] |
[[Category:1999 deaths]] |
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[[Category:Golden Age of Mexican cinema]] |
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[[Category:Mexican film actresses]] |
[[Category:Mexican film actresses]] |
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[[Category:Mexican television actresses]] |
[[Category:Mexican television actresses]] |
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[[Category:20th-century Mexican actresses]] |
[[Category:20th-century Mexican actresses]] |
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[[Category:Actresses from Jalisco]] |
[[Category:Actresses from Jalisco]] |
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[[Category:Mexican |
[[Category:Mexican expatriate actresses in the United States]] |
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[[Category: |
[[Category:Golden Age of Mexican cinema]] |
Revision as of 17:32, 6 September 2024
This article needs additional citations for verification. (August 2024) |
Esther Fernández | |
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Born | María Esther Fernández González August 23, 1915 |
Died | October 21, 1999 | (aged 84)
Occupation | Film actress |
Years active | 1933–1997 |
María Esther Fernández González (23 August 1915 – 21 October 1999) was a Mexican actress.
Life and career
Esther Fernández began her career as an extra in the film La Mujer del Puerto (1934). Her first starring role was in the early horror film El baúl macabro (Miguel Zacarías, 1936). Her beauty and charisma drew the attention of film director Fernando de Fuentes, who gave her the female lead role of Crucita in the rural musical Allá en el rancho Grande (1936), opposite Tito Guizar. Some critics consider the unexpected success of this film throughout Latin America as marking the start of the Golden Age of Mexican cinema.
During the rest of the 1930s, Fernández played mostly ingénues in movies like Mi candidato (1938), with Joaquín Pardavé and Pedro Armendàriz, and Los de abajo (1939), with Isabela Corona and Emilio Fernández. She caught the attention of Paramount Pictures, which had already contracted Tito Guizar, and earned her a contract to work in Hollywood. Though she trained for two years as a starlet, the Paramount studio executives never cast her in a movie and she returned to Mexico.
In 1943 Fernández was cast to play the title character in the second sound version of the classic Mexican film Santa, directed by Norman Foster and co-starring Ricardo Montalbán, then at the start of his film career. The couple and the director reunited to make The Escape (1944), based on a Guy de Maupassant story. In 1946 Fernández was finally able to star in a Paramount film Two Years Before the Mast. She played a Mexican-American woman returning to California from Spain for an arranged marriage. However, although it was the only important female character, the adventure film focused on the male cast, headed by Alan Ladd and Brian Donlevy.
Fernández continued her career in Mexico, starring in films like Flor de durazno (1945), Ramona (1946), Cantaclaro (1947), Solo Veracruz es Bello (1948), Doña Perfecta (1950), playing the daughter of Dolores del Rio, and Los Hijos del Rancho Grande (1956).
Fernández became romantically involved with the actor and singer Antonio Badú and during this period often co-starred with him.
She was absent from acting for two years, due to hepatitis. When she returned, the producers had forgotten her and stopped offering her movies. During her retirement years, she was dedicated to painting.
In 1989, Fernández returned to stardom in the Mexican telenovela Simplemente María. In 1992, she returned to the cinema with the film Los Años de Greta, opposite Beatriz Aguirre and Meche Barba. Her last appearance was in the film Reclusorio II (1997).[1]
Fernández died of natural causes in 1999.
Partial filmography
- La Mujer del Puerto (1934)
- Allá en el Rancho Grande (1936)
- Judas (1936)
- Mi candidato (1938)
- Los de abajo (1939)
- Santa (1943)
- The Escape (1944)
- Prisión de sueños (1946)
- Ramona (1946)
- Cantaclaro (1946)
- Two Years Before the Mast (1946)
- Solo Veracruz es Bello (1948)
- The Shadow of the Bridge (1948)
- La carne manda (1948)
- Doña Perfecta (1951)
- Los hijos del Rancho Grande (1956)
- Cada hijo una cruz (1956)
- Simplemente María (TV) (1989)
- Los Años de Greta (1992)
- Reclusorio II (1997)
References
- ^ Agrasánchez Jr. (2001), p. 42-45
Bibliography
- Agrasánchez Jr., Rogelio (2001). Bellezas del cine mexicano/Beauties of Mexican Cinema. Archivo Fílmico Agrasánchez. ISBN 968-5077-11-8.