Creative industries, its critics, and some answers

Stuart Cunningham
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Stuart Cunningham: Queensland University of Technology

EKONOMIAZ. Revista vasca de Economía, 2011, vol. 78, issue 03, 48-65

Abstract: Arguments as to just what should be included under the definition of «creative industries» have limited their acceptance and the adoption of suitable policies. There are opposing analyses and statistical categories, such as the copyright industry, the content industry, the cultural industry, the digital content industry, the arts and entertainment industry, etc. that make it difficult to gather accurate, reliable, timely data on this mega-sector. Another major criticism is that «creative» work is idealised and that the exporting of the concept outside its country of origin may be tantamount to imperialism. However, the creative industries have evolved in the past ten years from being limited to specific sectors to becoming seen as creative agents that can generate change and innovation, and have achieved high levels of acceptance and significance in many different countries.

Keywords: creative industries; precarious labour; creative economy (search for similar items in EconPapers)
JEL-codes: O31 Z11 Z13 (search for similar items in EconPapers)
Date: 2011
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