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14th ISMIR 2013: Curitiba, Brazil
- Alceu de Souza Britto Jr., Fabien Gouyon, Simon Dixon:
Proceedings of the 14th International Society for Music Information Retrieval Conference, ISMIR 2013, Curitiba, Brazil, November 4-8, 2013. 2013, ISBN 978-0-615-90065-0 - Sander Dieleman, Benjamin Schrauwen:
Multiscale Approaches To Music Audio Feature Learning. 3-8 - Philippe Hamel, Matthew E. P. Davies, Kazuyoshi Yoshii, Masataka Goto:
Transfer Learning In Mir: Sharing Learned Latent Representations For Music Audio Classification And Similarity. 9-14 - Srikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez, Marcus T. Pearce:
A Distributed Model For Multiple-Viewpoint Melodic Prediction. 15-20 - Erik M. Schmidt, Youngmoo E. Kim:
Learning Rhythm And Melody Features With Deep Belief Networks. 21-26 - Parul Agarwal, Harish Karnick, Bhiksha Raj:
A Comparative Study Of Indian And Western Music Forms. 29-34 - Pranay Dighe, Harish Karnick, Bhiksha Raj:
Swara Histogram Based Structural Analysis And Identification Of Indian Classical Ragas. 35-40 - Zafar Rafii, François G. Germain, Dennis L. Sun, Gautham J. Mysore:
Combining Modeling Of Singing Voice And Background Music For Automatic Separation Of Musical Mixtures. 41-46 - Antti Laaksonen, Kjell Lemström:
On Finding Symbolic Themes Directly From Audio Files Using Dynamic Programming. 47-52 - Bernhard Lehner, Reinhard Sonnleitner, Gerhard Widmer:
Towards Light-Weight, Real-Time-Capable Singing Voice Detection. 53-58 - Monojit Choudhury, Ranjita Bhagwan, Kalika Bali:
The Use Of Melodic Scales In Bollywood Music: An Empirical Study. 59-64 - Tal Ben Yakar, Roee Litman, Pablo Sprechmann, Alexander M. Bronstein, Guillermo Sapiro:
Bilevel Sparse Models for Polyphonic Music Transcription. 65-70 - Cory McKay:
JProductionCritic: An Educational Tool for Detecting Technical Errors in Audio Mixes. 71-76 - Nicola Orio, Roberto Piva:
Combining Timbric and Rhythmic Features for Semantic Music Tagging. 77-82 - Matthias Mauch, Sebastian Ewert:
The Audio Degradation Toolbox and Its Application to Robustness Evaluation. 83-88 - Yading Song, Simon Dixon, Marcus T. Pearce, Andrea R. Halpern:
Do Online Social Tags Predict Perceived or Induced Emotional Responses to Music? 89-94 - Diego Furtado Silva, Hélène Papadopoulos, Gustavo Enrique De Almeida Prado Alves Batista, Daniel P. W. Ellis:
A Video Compression-Based Approach to Measure Music Structural Similarity. 95-100 - Alastair Porter, Mohamed Sordo, Xavier Serra:
Dunya: A System to Browse Audio Music Collections Exploiting Cultural Context. 101-106 - Jan Van Balen, John Ashley Burgoyne, Frans Wiering, Remco C. Veltkamp:
An Analysis of Chorus Features in Popular Song. 107-112 - Mika Kuuskankare, Craig Sapp:
Visual Humdrum-Library for PWGL. 113-118 - Nicholas J. Bryan, Gautham J. Mysore, Ge Wang:
Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano Roll Display. 119-124 - Gabriel Vigliensoni, Gregory Burlet, Ichiro Fujinaga:
Optical Measure Recognition in Common Music Notation. 125-130 - Gabriel Vigliensoni, John Ashley Burgoyne, Ichiro Fujinaga:
Musicbrainz for The World: The Chilean Experience. 131-136 - Sally Jo Cunningham, Jin Ha Lee:
Influences of ISMIR and MIREX Research on Technology Patents. 137-142 - Matthew Prockup, Erik M. Schmidt, Jeffrey J. Scott, Youngmoo E. Kim:
Toward Understanding Expressive Percussion Through Content Based Analysis. 143-148 - Eric J. Humphrey, Oriol Nieto, Juan Pablo Bello:
Data Driven and Discriminative Projections for Large-Scale Cover Song Identification. 149-154 - Dekai Wu:
Simultaneous Unsupervised Learning of Flamenco Metrical Structure, Hypermetrical Structure, and Multipart Structural Relations. 155-160 - Anja Volk, W. Bas de Haas:
A Corpus-Based Study on Ragtime Syncopation. 163-168 - Maria Panteli, Hendrik Purwins:
A Computational Comparison of Theory And Practice of Scale Intonation in Byzantine Chant. 169-174 - Sertan Sentürk, Sankalp Gulati, Xavier Serra:
Score Informed Tonic Identification for Makam Music of Turkey. 175-180 - Dimitrios Bountouridis, Remco C. Veltkamp, Jan Van Balen:
Placing Music Artists and Songs in Time Using Editorial Metadata and Web Mining Techniques. 183-188 - David Hauger, Markus Schedl, Andrej Kosir, Marko Tkalcic:
The Million Musical Tweet Dataset - What We Can Learn From Microblogs. 189-194 - Tom Arjannikov, Chris Sanden, John Z. Zhang:
Verifying Music Tag Annotation Via Association Analysis. 195-200 - Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler:
The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. 201-206 - Harald Grohganz, Michael Clausen, Nanzhu Jiang, Meinard Müller:
Converting Path Structures Into Block Structures Using Eigenvalue Decompositions of Self-Similarity Matrices. 209-214 - Thomas Wilmering, György Fazekas, Mark B. Sandler:
The Audio Effects Ontology. 215-220 - Yi Lin, Xiaoou Chen, Deshun Yang:
Exploration of Music Emotion Recognition Based on MIDI. 221-226 - Florian Krebs, Sebastian Böck, Gerhard Widmer:
Rhythmic Pattern Modeling for Beat and Downbeat Tracking in Musical Audio. 227-232 - Maksim Khadkevich, Maurizio Omologo:
Large-Scale Cover Song Identification Using Chord Profiles. 233-238 - Sai Sumanth Miryala, Kalika Bali, Ranjita Bhagwan, Monojit Choudhury:
Automatically Identifying Vocal Expressions for Music Transcription. 239-244 - John Ashley Burgoyne, Dimitrios Bountouridis, Jan Van Balen, Henkjan Honing:
Hooked: A Game For Discovering What Makes Music Catchy. 245-250 - H. G. Ranjani, T. V. Sreenivas:
Hierarchical Classification of Carnatic Music Forms. 251-256 - Florian Kaiser, Geoffroy Peeters:
A Simple Fusion Method of State And Sequence Segmentation for Music Structure Discovery. 257-262 - Geoffray Bonnin, Dietmar Jannach:
Evaluating The Quality of Generated Playlists Based on Hand-Crafted Samples. 263-268 - Emmanouil Benetos, Tillman Weyde:
Explicit Duration Hidden Markov Models for Multiple-Instrument Polyphonic Music Transcription. 269-274 - François Pachet, Jeff Suzda, Dani Martínez:
A Comprehensive Online Database of Machine-Readable Lead-Sheets for Jazz Standards. 275-280 - Maurice Grant, Adeesha Ekanayake, Douglas Turnbull:
MeUse: Recommending Internet Radio Stations. 281-286 - Stéphane Dupont, Thierry Ravet:
Improved Audio Classification Using a Novel Non-Linear Dimensionality Reduction Ensemble Approach. 287-292 - Bogdan Vera, Elaine Chew, Patrick G. T. Healey:
A Study of Ensemble Synchronisation Under Restricted Line of Sight. 293-298 - Andy M. Sarroff, Michael A. Casey:
Groove Kernels as Rhythmic-Acoustic Motif Descriptors. 299-304 - Jeffrey J. Scott, Youngmoo E. Kim:
Instrument Identification Informed Multi-Track Mixing. 305-310 - Daniel Gärtner:
Tempo Detection of Urban Music Using Tatum Grid Non Negative Matrix Factorization. 311-316 - Katerina Kosta, Yading Song, György Fazekas, Mark B. Sandler:
A Study of Cultural Dependence of Perceived Mood in Greek Music. 317-322 - Yajie Hu, Dingding Li, Mitsunori Ogihara:
Evaluation on Feature Importance for Favorite Song Detection. 323-328 - Blair Kaneshiro, Hyung-Suk Kim, Jorge Herrera, Jieun Oh, Jonathan Berger, Malcolm Slaney:
QBT-Extended: An Annotated Dataset of Melodically Contoured Tapped Queries. 329-334 - Nicolas Boulanger-Lewandowski, Yoshua Bengio, Pascal Vincent:
Audio Chord Recognition with Recurrent Neural Networks. 335-340 - Julian Moreira, Pierre Roy, François Pachet:
Virtualband: Interacting with Stylistically Consistent Agents. 341-346 - Li Su, Yi-Hsuan Yang:
Sparse Modeling for Artist Identification: Exploiting Phase Information and Vocal Separation. 349-354 - Emmanouil Benetos, Andre Holzapfel:
Automatic Transcription of Turkish Makam Music. 355-360 - Sebastian Böck, Gerhard Widmer:
Local Group Delay Based Vibrato and Tremolo Suppression for Onset Detection. 361-366 - Kazuyoshi Yoshii, Ryota Tomioka, Daichi Mochihashi, Masataka Goto:
Beyond NMF: Time-Domain Audio Source Separation without Phase Reconstruction. 369-374 - Dawen Liang, Matthew D. Hoffman, Daniel P. W. Ellis:
Beta Process Sparse Nonnegative Matrix Factorization for Music. 375-380 - Vipul Arora, Laxmidhar Behera:
Semi-Supervised Polyphonic Source Identification using PLCA Based Graph Clustering. 381-386 - Michael Schoeffler, Fabian-Robert Stöter, Harald Bayerlein, Bernd Edler, Jürgen Herre:
An Experiment about Estimating the Number of Instruments in Polyphonic Music: A Comparison Between Internet and Laboratory Results. 389-394 - Mark Cartwright, Bryan Pardo:
Social-EQ: Crowdsourcing an Equalization Descriptor Map. 395-400 - Joshua L. Moore, Shuo Chen, Douglas R. Turnbull, Thorsten Joachims:
Taste Over Time: The Temporal Dynamics of User Preferences. 401-406 - Andryw Marques Ramos, Nazareno Andrade, Leandro Balby Marinho:
Exploring the Relation Between Novelty Aspects and Preferences in Music Listening. 407-412 - Bin Wu, Simon Wun, Chung Lee, Andrew Horner:
Spectral Correlates in Emotion Labeling of Sustained Musical Instrument Tones. 415-420 - Mathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler:
Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags. 421-426 - Yi-Hsuan Yang:
Low-Rank Representation of Both Singing Voice and Music Accompaniment Via Learned Dictionaries. 427-432 - Sebastian Stober, Thomas Low, Tatiana Gossen, Andreas Nürnberger:
Incremental Visualization of Growing Music Collections. 433-438 - Laurent Pugin, Tim Crawford:
Evaluating OMR on the Early Music Online Collection. 439-444 - Boyang Gao, Emmanuel Dellandréa, Liming Chen:
Sparse Music Decomposition onto a MIDI Dictionary Driven by Statistical Music Knowledge. 445-450 - Véronique Sébastien, Didier Sébastien, Noël Conruyt:
Annotating Works for Music Education: Propositions for a Musical Forms and Structures Ontology and a Musical Performance Ontology. 451-456 - Satoru Fukayama, Kazuyoshi Yoshii, Masataka Goto:
Chord-Sequence-Factory: A Chord Arrangement System Modifying Factorized Chord Sequence Probabilities. 457-462 - I-Ting Liu, Yin-Tzu Lin, Ja-Ling Wu:
Music Cut and Paste: A Personalized Musical Medley Generating System. 463-468 - Jordan B. L. Smith, Elaine Chew:
A Meta-Analysis of the MIREX Structural Segmentation Task. 469-474 - Tian Cheng, Simon Dixon, Matthias Mauch:
A Deterministic Annealing EM Algorithm for Automatic Music Transcription. 475-480 - Anders Elowsson, Anders Friberg, Guy Madison, Johan Paulin:
Modelling the Speed of Music using Features from Harmonic/Percussive Separated Audio. 481-486 - Padi Sarala, Hema A. Murthy:
Inter and Intra Item Segmentation of Continuous Audio Recordings of Carnatic Music for Archival. 487-492 - Dmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José Ricardo Zapata, Xavier Serra:
Essentia: An Audio Analysis Library for Music Information Retrieval. 493-498 - Vignesh Ishwar, Shrey Dutta, Ashwin Bellur, Hema A. Murthy:
Motif Spotting in an Alapana in Carnatic Music. 499-504 - Thor Kell, George Tzanetakis:
Empirical Analysis of Track Selection and Ordering in Electronic Dance Music using Audio Feature Extraction. 505-510 - Alessandro L. Koerich:
Improving the Reliability of Music Genre Classification using Rejection and Verification. 511-516 - Gregory Burlet, Ichiro Fujinaga:
Robotaba Guitar Tablature Transcription Framework. 517-522 - Richard Polfreman:
Comparing Onset Detection & Perceptual Attack Time. 523-528 - Jin Ha Lee, Kahyun Choi, Xiao Hu, J. Stephen Downie:
K-Pop Genres: A Cross-Cultural Exploration. 529-534 - Felipe Mendonça Scheeren, Marcelo Soares Pimenta, Damián Keller, Victor Lazzarini:
Coupling Social Network Services and Support for Online Communities in Codes Environment. 535-540 - Zhouhong Cai, Robert J. Ellis, Zhiyan Duan, Hong Lu, Ye Wang:
Basic Evaluation of Auditory Temporal Stability (Beats): A Novel Rationale and Implementation. 541-546 - Tom Collins, Andreas Arzt, Sebastian Flossmann, Gerhard Widmer:
SIARCT-CFP: Improving Precision and the Discovery of Inexact Musical Patterns in Point-Set Representations. 549-554 - Reinier de Valk, Tillman Weyde, Emmanouil Benetos:
A Machine Learning Approach to Voice Separation in Lute Tablature. 555-560 - Nicolas Gonzalez Thomas, Philippe Pasquier, Arne Eigenfeldt, James B. Maxwell:
A Methodology for the Comparison of Melodic Generation Models Using Meta-Melo. 561-566 - Sébastien Fenet, Yves Grenier, Gaël Richard:
An Extended Audio Fingerprint Method with Capabilities for Similar Music Detection. 569-574 - Matthew E. P. Davies, Philippe Hamel, Kazuyoshi Yoshii, Masataka Goto:
AutoMashUpper: An Automatic Multi-Song Mashup System. 575-580 - Jan Schlüter:
Learning Binary Codes For Efficient Large-Scale Music Similarity Search. 581-586 - Thomas Prätzlich, Meinard Müller:
Freischütz Digital: A Case Study for Reference-Based Audio Segmentation for Operas. 589-594 - Nanzhu Jiang, Meinard Müller:
Automated Methods for Analyzing Music Recordings in Sonata Form. 595-600 - Johan Pauwels
, Florian Kaiser, Geoffroy Peeters:
Combining Harmony-Based and Novelty-Based Approaches for Structural Segmentation. 601-606 - Maarten Grachten, Martin Gasser, Andreas Arzt, Gerhard Widmer:
Automatic Alignment of Music Performances with Structural Differences. 607-612
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