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Maria Kallionpää
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2020 – today
- 2024
- [j5]Michael Iber, Kajetan Enge, Niklas Rönnberg, Annika Neidhardt, Norbert Schnell, Katharina Pollack, Maria Kallionpää, Alan Chamberlain:
What you hear is what you see? Perspectives on modalities in sound and music interaction. Pers. Ubiquitous Comput. 28(5): 655-656 (2024) - 2023
- [j4]Luca Turchet
, Alan Chamberlain
Personal and ubiquitous computing, special issue: "Sonic experiences: interaction, connectivity, and multi-sensory technologies". Pers. Ubiquitous Comput. 27(5): 1779-1781 (2023) - 2021
- [j3]Steve Benford
Contesting control: journeys through surrender, self-awareness and looseness of control in embodied interaction. Hum. Comput. Interact. 36(5-6): 361-389 (2021) - [j2]Alan Chamberlain
From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound. Pers. Ubiquitous Comput. 25(4): 617-620 (2021) - [j1]Alan Chamberlain
Correction to: from AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound. Pers. Ubiquitous Comput. 25(4): 621 (2021) - 2020
- [c11]Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää:
Following the journey of scores through a complex musical work. Audio Mostly Conference 2020: 249-252 - [c10]Maria Kallionpää, Hans-Peter Gasselseder:
Back to the Future and Forward to the Past: Zukunftsmusik and the aesthetics of immersive classical music experience. EVA 2020
2010 – 2019
- 2019
- [c9]Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford
Failing with Style: Designing for Aesthetic Failure in Interactive Performance. CHI 2019: 30 - [c8]Hans-Peter Gasselseder, Maria Kallionpää:
Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiences. EVA 2019: 409-416 - 2018
- [c7]Maria Kallionpää, Alan Chamberlain
Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies. Audio Mostly Conference 2018: 14:1-14:8 - [c6]Alan Chamberlain
The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. Audio Mostly Conference 2018: 39:1-39:2 - [c5]Steve Benford
Designing the Audience Journey through Repeated Experiences. CHI 2018: 568 - 2017
- [c4]Maria Kallionpää, Chris Greenhalgh, Adrian Hazzard, David M. Weigl, Kevin R. Page, Steve Benford:
Composing and realising a game-like performance for disklavier and electronics. NIME 2017: 464-469 - 2016
- [c3]Maria Kallionpää:
Performing the Super Instrument: Reaching Beyond Technical and Expressive Capabilities. EVA 2016 - [c2]Maria Kallionpää, Hans-Peter Gasselseder:
The Imaginary Friend, Crossing over Computer Game Scoring Techniques and Musical Expression. EVA 2016 - 2015
- [c1]Maria Kallionpää, Hans-Peter Gasselseder:
Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities. Audio Mostly Conference 2015: 20:1-20:7
Coauthor Index
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