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Alex McLean

Christopher Alex McLean

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affiliation: Deutsches Museum, Munich, Germany
affiliation (former): University of Leeds, UK
affiliation (PhD 2011): Goldsmiths College, London, UK

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2020 – today

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2024
[c20]
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Alex McLean:
From Konnakol to Live Coding. FARM 2024: 36-41
[i5]
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Elizabeth Wilson, Mika Satomi, Alex McLean, Deva Schubert, Juan Felipe Amaya Gonzalez:
Embodied Exploration of Latent Spaces and Explainable AI. CoRR abs/2410.14590 (2024)
2023
[i4]
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Dave Griffiths, Elizabeth Wilson, Iván Paz, Alex McLean, Joana Chicau, Flor de Fuego, Timo Hoogland, Eloi Isern, Michael-Jon Mizra, Roger Pibernat:
Patterns in Deep Time. CoRR abs/2307.11786 (2023)
2022
[c19]
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Alex McLean:
Invited talk: Live coding and the 'what-if' paradigm. PPIG 2022: 67
[i3]
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Alex McLean:
Alternate Timelines for TidalCycles. CoRR abs/2209.04289 (2022)
2020
[j2]
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Kristina Andersen, Ron Wakkary, Laura Devendorf, Alex McLean:
Digital crafts-machine-ship: creative collaborations with machines. Interactions 27(1): 30-35 (2020)
[c18]
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Alex McLean:
Algorithmic Pattern. NIME 2020: 265-270

2010 – 2019

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2018
[p4]
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Thor Magnusson, Alex McLean:
Performing with Patterns of Time. The Oxford Handbook of Algorithmic Music 2018
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Alex McLean, Roger T. Dean:
Musical Algorithms as Tools, Languages and Partners: A Perspective. The Oxford Handbook of Algorithmic Music 2018
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Alex McLean, Roger T. Dean:
Algorithmic Trajectories. The Oxford Handbook of Algorithmic Music 2018
[e2]
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Alex McLean, Roger T. Dean:
The Oxford Handbook of Algorithmic Music. Oxford University Press 2018, ISBN 978-0-19-022699-2 [contents]
2017
[c17]
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Alex McLean:
FARM 2017 performances. FARM@ICFP 2017: 49-51
2015
[c16]
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Víctor Padilla Martín-Caro, Alex McLean, Alan Marsden, Kia Ng:
Improving Optical Music Recognition by Combining Outputs from Multiple Sources. ISMIR 2015: 517-523
2014
[c15]
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Kia Ng, Joanne L. Armitage, Alex McLean:
The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping. EVA 2014
[c14]
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Kia Ng, Alex McLean, Alan Marsden:
Big Data Optical Music Recognition with Multi Images and Multi Recognisers. EVA 2014
[c13]
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Alex McLean:
Making programming languages to dance to: live coding with tidal. FARM@ICFP 2014: 63-70
[c12]
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Víctor Padilla Martín-Caro, Alan Marsden, Alex McLean, Kia Ng:
Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources. DLfM@JCDL 2014: 1-8
[c11]
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Nick Collins, Alex McLean:
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. NIME 2014: 355-358
[e1]
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Alex McLean, Michael Sperber, Henrik Nilsson:
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art, music, modeling & design, FARM@ICFP 2014, Gothenburg, Sweden, September 1-3, 2014. ACM 2014, ISBN 978-1-4503-3039-8 [contents]
2013
[c10]
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Alex McLean, Eunjoo Shin, Kia Ng:
Paralinguistic Microphone. NIME 2013: 381-384
[p1]
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Dan Stowell, Alex McLean:
Live Music-Making: A Rich Open Task Requires a Rich Open Interface. Music and Human-Computer Interaction 2013: 139-152
[i2]
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Alan F. Blackwell, Alex McLean, James Noble, Julian Rohrhuber:
Collaboration and learning through live coding (Dagstuhl Seminar 13382). Dagstuhl Reports 3(9): 130-168 (2013)
2012
[c9]
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Alex McLean, Hester Reeve:
Live Notation: acoustic resonance? ICMC 2012
2011
[b1]
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Christopher Alex McLean:
Artist-programmers and programming languages for the arts. Goldsmiths College, London, UK, 2011
[c8]
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Alex McLean, Geraint A. Wiggins:
Texture: Visual Notation for Live Coding of Pattern. ICMC 2011
2010
[j1]
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Jamie Forth, Geraint A. Wiggins, Alex McLean:
Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds Mach. 20(4): 503-532 (2010)
[c7]
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Alex McLean, Dave Griffiths, Nick Collins, Geraint A. Wiggins:
Visualisation of live code. EVA 2010
[c6]
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Alex McLean, Geraint A. Wiggins:
Live Coding Towards Computational Creativity. ICCC 2010: 175-179
[c5]
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Alex McLean, Geraint A. Wiggins:
Petrol: Reactive Pattern Language For Improvised Music. ICMC 2010
[c4]
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Alex McLean, Geraint A. Wiggins:
Bricolage Programming in the Creative Arts. PPIG 2010: 18

2000 – 2009

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2009
[c3]
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Alex McLean, Geraint A. Wiggins:
Words , Movement and Timbre. NIME 2009: 276-279
[i1]
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Alex McLean:
Embodied creativity. Computational Creativity: An Interdisciplinary Approach 2009
2008
[c2]
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Alex McLean, Geraint A. Wiggins:
Vocable synthesis. ICMC 2008
2007
[c1]
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Alex McLean, Frederic F. Leymarie, Geraint A. Wiggins:
Apollonius diagrams and the Representation of Sounds and Music. ISVD 2007: 276-281

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