default search action
NIME 2019: Porto Alegre, Brazil
- 19th International Conference on New Interfaces for Musical Expression, NIME 2019, Porto Alegre, Brazil, June 3-6, 2019. nime.org 2019
- Enrique Tomás
, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner
Material embodiments of electroacoustic music: an experimental workshop study. 1-6 - Yupu Lu, Yijie Wu, Shijie Zhu:
Collaborative Musical Performances with Automatic Harp Based on Image Recognition and Force Sensing Resistors. 7-8 - Lior Arbel, Yoav Y. Schechner, Noam Amir:
The Symbaline - An Active Wine Glass Instrument with a Liquid Sloshing Vibrato Mechanism. 9-14 - Helena de Souza Nunes, Federico Visi, Lydia Helena Wohl Coelho, Rodrigo Schramm:
SIBILIM: A low-cost customizable wireless musical interface. 15-20 - Jonathan Bell:
The Risset Cycle, Recent Use Cases With SmartVox. 21-24 - Johnty Wang, Axel Mulder, Marcelo M. Wanderley:
Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. 25-30 - Richard Ramchurn, Juan Pablo Martinez-Avila, Sarah Martindale, Alan Chamberlain, Max L. Wilson, Steve Benford:
Improvising a Live Score to an Interactive Brain-Controlled Film. 31-36 - Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley:
Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. 37-42 - Kiyu Nishida, Akishige Yuguchi, Kazuhiro Jo, Paul Modler, Markus Noisternig:
Border: A Live Performance Based on Web AR and a Gesture-Controlled Virtual Instrument. 43-46 - Palle Dahlstedt:
Taming and Tickling the Beast - Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp. 47-52 - Doga Cavdir
Taptop, Armtop, Blowtop: Evolving the Physical Laptop Instrument. 53-58 - David Antonio Gómez Jáuregui, Irvin Dongo, Nadine Couture
Automatic Recognition of Soundpainting for the Generation of Electronic Music Sounds. 59-64 - Fabio Morreale, Andrea Guidi
Magpick: an Augmented Guitar Pick for Nuanced Control. 65-70 - Bertrand Petit, Manuel Serrano:
Composing and executing Interactive music using the HipHop.js language. 71-76 - Gabriel Lopes Rocha, João Teixera Araújo, Flávio Luiz Schiavoni:
Ha Dou Ken Music: Different mappings to play music with joysticks. 77-78 - Torgrim Rudland Næss, Charles P. Martin:
A Physical Intelligent Instrument using Recurrent Neural Networks. 79-82 - Angelo Fraietta:
Creating Order and Progress. 83-88 - João Tragtenberg, Filipe Calegario, Giordano Cabral, Geber L. Ramalho:
Towards the Concept of Digital Dance and Music Instruments. 89-94 - Maros Suran Bomba, Palle Dahlstedt:
Somacoustics: Interactive Body-as-Instrument. 95-100 - Nathan Turczan, Ajay Kapur:
The Scale Navigator: A System for Networked Algorithmic Harmony. 101-104 - Alex Michael Lucas, Miguel Ortiz, Franziska Schroeder
Bespoke Design for Inclusive Music: The Challenges of Evaluation. 105-109 - Xiao Xiao, Grégoire Locqueville, Christophe d'Alessandro, Boris Doval:
T-Voks: the Singing and Speaking Theremin. 110-115 - Hunter M. Brown, Spencer Topel:
DRMMR: An Augmented Percussion Implement. 116-121 - Giacomo Lepri, Andrew P. McPherson:
Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes. 122-127 - Christopher Dewey, Jonathan P. Wakefield:
Exploring the Container Metaphor for Equalisation Manipulation. 128-129 - Alex Hofmann, Vasileios Chatziioannou, Sebastian Schmutzhard, Gökberk Erdogan, Alexander Mayer:
The Half-Physler: An oscillating real-time interface to a tube resonator model. 130-133 - Peter Bussigel, Stephan Moore, Scott Smallwood:
Reanimating the Readymade. 134-139 - Yian Zhang, Yinmiao Li, Daniel Chin, Gus Xia:
Adaptive Multimodal Music Learning via Interactive Haptic Instrument. 140-145 - Fabián Sguiglia, Pauli Coton, Fernando Toth:
El mapa no es el territorio: Sensor mapping for audiovisual performances. 146-149 - Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley:
Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). 150-155 - Palle Dahlstedt, Ami Skånberg Dahlstedt:
OtoKin: Mapping for Sound Space Exploration through Dance Improvisation. 156-161 - Joe Wright
On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People. 162-167 - Isabela Corintha Almeida, Giordano Cabral, Gilberto Bernardes Almeida:
AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. 168-169 - Cristiano Figueiró, Guilherme Soares, Bruno Rohde:
ESMERIL - An interactive audio player and composition system for collaborative experimental music netlabels. 170-173 - Aline Weber, Lucas Nunes Alegre, Jim Tørresen, Bruno C. da Silva:
Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise. 174-179 - Atau Tanaka, Balandino Di Donato, Michael Zbyszynski, Geert Roks:
Designing Gestures for Continuous Sonic Interaction. 180-185 - Çagri Erdem, Katja Henriksen Schia, Alexander Refsum Jensenius:
Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance. 186-191 - Samuel Thompson Parke-Wolfe, Hugo Scurto, Rebecca Fiebrink:
Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities. 192-197 - Oliver Hödl:
'Blending Dimensions' when Composing for DMI and Symphonic Orchestra. 198-203 - Behzad Haki, Sergi Jordà:
A Bassline Generation System Based on Sequence-to-Sequence Learning. 204-209 - Lloyd May, Spencer Topel:
BLIKSEM: An Acoustic Synthesis Fuzz Pedal. 210-215 - Anna Xambó
NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. 216-221 - Eduardo Meneses, Johnty Wang, Sérgio Freire, Marcelo M. Wanderley:
A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. 222-227 - Martin Matus Lerner
Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century. 228-233 - Sarah Reid, Ryan Gaston, Ajay Kapur:
Perspectives on Time: performance practice, mapping strategies, & composition with MIGSI . 234-239 - Natacha Lamounier, Luiz Naveda, Adriana Bicalho:
The design of technological interfaces for interactions between music, dance and garment movements. 240-245 - Ximena Alarcón-Díaz, Victor Evaristo González Sánchez, Çagri Erdem:
INTIMAL: Walking to Find Place, Breathing to Feel Presence. 246-249 - Disha Sardana
Introducing Locus: a NIME for Immersive Exocentric Aural Environments. 250-255 - Echo Ho, Alberto de Campo, Hannes Hoelzl:
The SlowQin: An Interdisciplinary Approach to reinventing the Guqin. 256-259 - Charles P. Martin, Jim Tørresen:
An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. 260-265 - Nicolas Bazoge, Ronan Gaugne, Florian Nouviale, Valérie Gouranton, Bruno Bossis:
Expressive potentials of motion capture in musical performance. 266-271 - Akito van Troyer, Rébecca Kleinberger:
From Mondrian to Modular Synth: Rendering NIME using Generative Adversarial Networks. 272-277 - Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger:
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. 278-283 - Gabriela Bila Advincula, Don Derek Haddad, Kent Larson:
Grain Prism: Hieroglyphic Interface for Granular Sampling. 284-285 - Oliver Bown, Angelo Fraietta, Sam Ferguson, Lian Loke, Liam Bray:
Facilitating Creative Exploratory Search with Multiple Networked Audio Devices Using HappyBrackets. 286-291 - Thais Fernandes Santos:
The reciprocity between ancillary gesture and music structure performed by expert musicians. 292-297 - Razvan Paisa, Dan Overholt:
Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing. 298-302 - Juan Mariano Ramos:
Eolos: a wireless MIDI wind controller. 303-306 - Ruihan Yang, Tianyao Chen, Yiyi Zhang, Gus Xia:
Inspecting and Interacting with Meaningful Music Representations using VAE. 307-312 - Gerard Roma, Owen Green, Pierre Alexandre Tremblay:
Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. 313-318 - Vesa Norilo:
Veneer: Visual and Touch-based Programming for Audio. 319-324 - Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Tørresen, Charles P. Martin:
Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks. 325-330 - Anthony T. Marasco, Edgar Berdahl, Jesse T. Allison:
Bendit_I/O: A System for Networked Performance of Circuit-Bent Devices. 331-334 - McLean J. Macionis, Ajay Kapurr:
Where Is The Quiet: Immersive Experience Design Using the Brain, Mechatronics, and Machine Learning. 335-338 - Tate Carson:
Mesh Garden: A creative-based musical game for participatory musical performance . 339-342 - Beat Rossmy, Alexander Wiethoff:
The Modular Backward Evolution - Why to Use Outdated Technologies. 343-348 - Vincent Goudard:
Ephemeral instruments. 349-354 - Julian Jaramillo, Fernando Iazzetta:
PICO: A portable audio effect box for traditional plucked-string instruments. 355-360 - Guilherme Bertissolo:
Composing Understandings: music, motion, gesture and embodied cognition. 361-364 - Cristohper Ramos Flores, Jim W. Murphy, Michael Norris:
HypeSax: Saxophone acoustic augmentation. 365-370 - Patrick Chwalek, Joe A. Paradiso:
CD-Synth: a Rotating, Untethered, Digital Synthesizer. 371-374 - Niccolò Granieri, James Dooley:
Reach: a keyboard-based gesture recognition system for live piano sound modulation. 375-376 - Margaret Schedel, Jocelyn Ho, Matthew Blessing:
Women's Labor: Creating NIMEs from Domestic Tools . 377-380 - André Rauber Du Bois, Rodrigo Geraldo Ribeiro:
HMusic: A domain specific language for music programming and live coding. 381-386 - Angelo Fraietta:
Stellar Command: a planetarium software based cosmic performance interface. 387-392 - Patrick Müller, Johannes Michael Schuett:
Towards a Telematic Dimension Space. 393-400 - Pedro Pablo Lucas:
A MIDI Controller Mapper for the Built-in Audio Mixer in the Unity Game Engine. 401-404 - Pedro Pablo Lucas:
AuSynthAR: A simple low-cost modular synthesizer based on Augmented Reality. 405-406 - Don Derek Haddad, Joe A. Paradiso:
The World Wide Web in an Analog Patchbay. 407-410 - Fou Yoshimura, Kazuhiro Jo:
A "voice" instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynx. 411-412 - Juan Pablo Yepez Placencia, Jim W. Murphy, Dale A. Carnegie:
Exploring Dynamic Variations for Expressive Mechatronic Chordophones. 413-418 - Dhruv Chauhan, Peter Bennett:
Searching for the Perfect Instrument: Increased Telepresence through Interactive Evolutionary Instrument Design. 419-422 - Richard Savery
Learning from History: Recreating and Repurposing Harriet Padberg's Computer Composed Canon and Free Fugue. 423-428 - Edgar Berdahl, Austin Franklin, Eric Sheffield:
A Spatially Distributed Vibrotactile Actuator Array for the Fingertips. 429-430 - Jeff Gregorio, Youngmoo E. Kim
Augmenting Parametric Synthesis with Learned Timbral Controllers. 431-436 - Sang-won Leigh, Abhinandan Jain, Pattie Maes:
Exploring Human-Machine Synergy and Interaction on a Robotic Instrument. 437-442 - Sang Won Lee
Show Them My Screen: Mirroring a Laptop Screen as an Expressive and Communicative Means in Computer Music. 443-448 - Josh Urban Davis:
IllumiWear: A Fiber-Optic eTextile for MultiMedia Interactions. 449-454
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-12-15 01:15 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by: