Idolatriya

*Moses Indignant at the Golden Calf*, painting by William Blake, 1799–1800

An idolatriya iyo an pagsamba sa sarong cult image o "idol" na garo baga iyan sarong Dios.^[1]^[2]^[3] Sa mga Abrahamikong relihiyon (na iyo an mga Hudaismo, Samaritanismo, Kristianismo, an Pagtubod na Baháʼí, asin Islam) an idolatriya nangangahulugan kan pagsamba sa sarong bagay o sa sarong tawo na bako an Abrahamikong Dios na garo baga iyan sarong Dios.^[4]^[5] Sa mga monoteistikong relihiyon, an idolatriya pigkonsiderar bilang "pagsamba sa false gods" asin pigpapangalad kan mga teksto siring kan Sampolong Tugon.^[4] An ibang monoteistikong relihiyon posibleng gibohon an kaagid na mga panundon.^[6]

Toltolan

↑ Error sa pag-cite: Imbalidong <ref> tatak; mayong teksto na ipinagtao para sa reperensiya na pinagngaranan na Halbertal1992p1
↑ DiBernardo, Sabatino (2008). "American Idol(atry): A Religious Profanation". The Journal of Religion and Popular Culture 19 (1): 1–2. doi:10.3138/jrpc.19.1.001. , Quote: "Idolatry (...) in the first commandment denotes the notion of worship, adoration, or reverence of an image of God."
↑ Poorthuis, Marcel (2007). "6. Idolatry and the Mirror: Iconoclasm as a Prerequisite for Inter-Human Relations". Iconoclasm and Iconoclash, Chapter 6. Idolatry and the Mirror: Iconoclasm As A Prerequisite For Inter-Human Relations. BRILL Academic. pp. 125–140. doi:10.1163/ej.9789004161955.i-538.53. ISBN 9789004161955.
↑ ^4.0 ^4.1 Angelini, Anna (2021). "Les dieux des autres: entre «démons» et «idoles»". L'imaginaire du démoniaque dans la Septante: Une analyse comparée de la notion de "démon" dans la Septante et dans la Bible Hébraïque. Supplements to the Journal for the Study of Judaism (in French). 197. Leiden and Boston: Brill Publishers. pp. 184–224. doi:10.1163/9789004468474_008 . ISBN 978-90-04-46847-4.
↑ Asif, Agha, ed (Spring 2016). "Smashing Idols: A Paradoxical Semiotics". Signs and Society (Chicago: University of Chicago Press on behalf of the Semiosis Research Center at Hankuk University of Foreign Studies) 4 (1): 30–56. doi:10.1086/684586. ISSN 2326-4489. https://iris.unito.it/retrieve/handle/2318/1561609/136254/Massimo%20Leone%202016%20-%20Smashing%20Idols.pdf. Retrieved on 28 July 2021.
↑ Wendy Doniger (1999). Merriam-Webster's Encyclopedia of World Religions. Merriam-Webster. p. 497. ISBN 978-0-87779-044-0.

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[Halbertal1992p1-1] Error sa pag-cite: Imbalidong <ref> tatak; mayong teksto na ipinagtao para sa reperensiya na pinagngaranan na Halbertal1992p1

[2] DiBernardo, Sabatino (2008). "American Idol(atry): A Religious Profanation". The Journal of Religion and Popular Culture 19 (1): 1–2. doi:10.3138/jrpc.19.1.001. , Quote: "Idolatry (...) in the first commandment denotes the notion of worship, adoration, or reverence of an image of God."

[3] Poorthuis, Marcel (2007). "6. Idolatry and the Mirror: Iconoclasm as a Prerequisite for Inter-Human Relations". Iconoclasm and Iconoclash, Chapter 6. Idolatry and the Mirror: Iconoclasm As A Prerequisite For Inter-Human Relations. BRILL Academic. pp. 125–140. doi:10.1163/ej.9789004161955.i-538.53. ISBN 9789004161955.

[Angelini_2021-4] 4.0 ^4.1 Angelini, Anna (2021). "Les dieux des autres: entre «démons» et «idoles»". L'imaginaire du démoniaque dans la Septante: Une analyse comparée de la notion de "démon" dans la Septante et dans la Bible Hébraïque. Supplements to the Journal for the Study of Judaism (in French). 197. Leiden and Boston: Brill Publishers. pp. 184–224. doi:10.1163/9789004468474_008 . ISBN 978-90-04-46847-4.

[Leone_2016-5] Asif, Agha, ed (Spring 2016). "Smashing Idols: A Paradoxical Semiotics". Signs and Society (Chicago: University of Chicago Press on behalf of the Semiosis Research Center at Hankuk University of Foreign Studies) 4 (1): 30–56. doi:10.1086/684586. ISSN 2326-4489. https://iris.unito.it/retrieve/handle/2318/1561609/136254/Massimo%20Leone%202016%20-%20Smashing%20Idols.pdf. Retrieved on 28 July 2021.

[mwdoniger497-6] Wendy Doniger (1999). Merriam-Webster's Encyclopedia of World Religions. Merriam-Webster. p. 497. ISBN 978-0-87779-044-0.

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