Mona Sans & Hubot Sans
Two new lovely open source variable fonts from Github.
The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:
Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”
Two new lovely open source variable fonts from Github.
A whole lotta nice fonts—most of them variable fonts—from Indian Type Foundry.
A typeface co-designed with a tree over the course of five years.
Yes, a tree.
Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree. As the tree grows, it deforms the letters and outputs new design variations, that are captured annually.
A lovely font based on the Bulmer typeface.
The typography of horology.
The latest installment in the long tradition of calling for this pseudo-element.
The future of typography is here.
Liveblogging Jon’s talk at An Event Apart in Atlanta.
Sometimes a consistent interface doesn’t reflect the reality of usage.