"Deafness" effects in detecting alterations to auditory feedback during sequence production (Q30558622)

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scientific article

Language	Label	Description	Also known as
English	"Deafness" effects in detecting alterations to auditory feedback during sequence production	scientific article

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scholarly article

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

"Deafness" effects in detecting alterations to auditory feedback during sequence production (English)

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

1 reference

based on heuristic

inferred from title

Peter Q Pfordresher

1

object named as

Peter Q Pfordresher

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

publication date

24 January 2013

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

Psychological Research

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Europe PubMed Central

PubMed publication ID

24 June 2017

78

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Europe PubMed Central

PubMed publication ID

24 June 2017

1

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

96-112

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

The experience of agency in sequence production with altered auditory feedback

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Language production and serial order: a functional analysis and a model

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

FTAP: a Linux-based program for tapping and music experiments.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Role of auditory feedback in the control of successive keystrokes during piano playing

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Speech sound acquisition, coarticulation, and rate effects in a neural network model of speech production

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https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Recognition of music in long-term memory: Are melodic and temporal patterns equal partners?

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https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

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Action control according to TEC (theory of event coding).

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21 January 2018

The Theory of Event Coding (TEC): A framework for perception and action planning

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https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

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Representational momentum and related displacements in spatial memory: A review of the findings

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

The case of a left-handed pianist playing a reversed keyboard: a challenge for the neuroscience of music.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Effects of auditory pattern structure on anticipatory and reactive attending

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Rhythm and pitch in music cognition

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Processing expectancy violations during music performance and perception: an ERP study.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Incremental planning in sequence production.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Musical training and the role of auditory feedback during performance

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Effects of hearing the past, present, or future during music performance.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Speed, accuracy, and serial order in sequence production

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

The role of pitch and temporal diversity in the perception and production of musical sequences

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

The effect of task and pitch structure on pitch-time interactions in music.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Spatial representation of pitch height: the SMARC effect.

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

A review of contemporary ideomotor theory

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

High level processing scope in spoken sentence production

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Serial control of phonology in speech production: a hierarchical model

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Computational approaches to motor control

1 reference

https://api.crossref.org/works/10.1007%2FS00426-013-0477-9

21 January 2018

Internal models for motor control and trajectory planning

1 reference

https://pubmed.ncbi.nlm.nih.gov/23344903

12 December 2020

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AN INFORMATION-FLOW MODEL OF THE ORGANIZATION OF MOTOR ACTIVITY. I: TRANSDUCTION, TRANSMISSION AND CENTRAL CONTROL OF SENSORY INFORMATION

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Time, our lost dimension: toward a new theory of perception, attention, and memory

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Delayed auditory feedback and movement.

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Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Blindness to response-compatible stimuli

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Auditory feedback in music performance: the role of melodic structure and musical skill.

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Higher order pattern structure influences auditory representational momentum

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https://pubmed.ncbi.nlm.nih.gov/23344903

12 December 2020

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Pitch and time, tonality and meter: how do musical dimensions combine?

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Units of knowledge in music performance

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The role of accent salience and joint accent structure in meter perception

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https://pubmed.ncbi.nlm.nih.gov/23344903

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Spatial associations for musical stimuli: a piano in the head?

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Range of planning in music performance

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The dynamics of disruption from altered auditory feedback: Further evidence for a dissociation of sequencing and timing

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https://pubmed.ncbi.nlm.nih.gov/23344903

12 December 2020

based on heuristic

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Identifiers

10.1007/S00426-013-0477-9

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

Dimensions Publication ID

0 references

PubMed publication ID

1 reference

Europe PubMed Central

PubMed publication ID

24 June 2017

ResearchGate publication ID

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