Hill, Gary, 1951-....
Hill, Gary
Gary Hill
Gary Hill American artist
Hill, Gary (American video and installation artist, born 1951)
Hill, Garry, 1951-
VIAF ID: 96095476 (Personal)
Permalink: http://viaf.org/viaf/96095476
Preferred Forms
- 100 0 _ ‡a Gary Hill
- 100 0 _ ‡a Gary Hill ‡c American artist
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- 100 1 _ ‡a Hill, Gary
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- 100 1 _ ‡a Hill, Gary ‡d 1951-
- 100 1 _ ‡a Hill, Gary ‡d 1951-
- 100 1 _ ‡a Hill, Gary ‡g American video and installation artist, born 1951
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- 100 1 _ ‡a Hill, Gary, ‡d 1951-
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- 100 1 _ ‡a Hill, Gary, ‡d 1951-....
4xx's: Alternate Name Forms (20)
5xx's: Related Names (2)
- 530 _ _ ‡a Mediations (towards a remake of soundings). ‡g film. ‡g bande vidéo
- 551 _ _ ‡a Santa Monica, Calif.
Works
Title | Sources |
---|---|
Around & about : A performative view | |
The art video collection. | |
Bathing | |
Biographie | |
Black and white tapes | |
Blind spot | |
Boomerang | |
Cenzura w Luwrze | |
children'strapes | |
The coil of a snake a journey on a freighter towards the north pôle | |
Come on Petunia (Programa de televisió) | |
Commentary | |
Cycles of 3 sand 7 s | |
Double vision | |
ETC Experimental Television Center, 1969-2009 | |
Galerie d'images | |
Gary Hill | |
Gary Hill : disturbance (among the jars) : [exposition, Villeneuve d'Ascq, Musée d'art moderne], 19 janvier-19 février 1989 | |
Gary Hill : [exposition] Stedelijk Museum, Amsterdam, august 28-october 10 1993 ; Kunsthalle, Wien, november 17 1993 - january 9 1994. | |
Gary Hill : HanD HearD - Withershins - Midnight Crossing : exposició organitzada pel Museu d'Art Contemporani de Barcelona, del 16 de juliol al 27 de setembre del 1998 | |
Gary Hill : imagining the brain closer than the eyes / [exposition, Bâle, Museum für Gegenwartskunst, Offentliche Kunstsammlung, 29 octobre 1994 - 29 janvier 1995]. | |
Gary Hill : selected works : catalogue raisonné : Kunstmuseum Wolfsburg, [anlässlich der Ausstellung "Gary Hill. Selected Works", vom 9. November 2001 bis 10. März 2002 " Centro Cultural de Belem, Lissabon, vom 11. Oktober 2002 bis 12. Januar : 2003] | |
A guide for non-governmental organizations on working with United Nations on crime prevention and criminal justice | |
Hand heard : liminal object | |
In Situ | |
Incidence of Catastrophe | |
Insert Skin #3 (Splayed Mind Out) (1997-1998) | |
Interview | |
Investigations of the phenomenal world space, sound and light | |
Island song | |
Lightning | |
O lugar sem o tempo. | |
Mediations (towards a remake of soundings). | |
Midnight crossing, [remarks on color] | |
performance elle-même | |
Point of view : an anthology of the moving image | |
premiers mots aux derniers silences | |
Primarily speaking | |
Ship building in a kleinbottle performance after a collaboration on a freighter | |
Site Recite (a Prologue) | |
Stamping in the studio | |
strange sound of Cthulhu von H. P. Lovecraft inspirierte Musik | |
Sweet light | |
Taking time from place. | |
Tall ships | |
Tu sais où je suis et je sais où tu es | |
Undeniably me | |
Video rewind : videowochen im Wenkenpark, 1984, 1986, 1988 | |
Viewer | |
Why do things get in a muddle? | |
Windows | |
Withershins 1995 | |
You know where I'm at and I know where you're at | |
ゲイリー・ヒル : I believe it is an image | |
ゲイリー・ヒル : 幻想空間体験 |