Menninghaus, Winfried, 1952-....
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Menninghaus, Winfried
Winfried Menninghaus
VIAF ID: 94308735 (Personal)
Permalink: http://viaf.org/viaf/94308735
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200 _ 1 ‡a Menninghaus ‡b Winfried ‡f 1952-
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried
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100 1 _ ‡a Menninghaus, Winfried ‡d (1952- )
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100 1 _ ‡a Menninghaus, Winfried ‡d (1952- ).
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100 1 _ ‡a Menninghaus, Winfried, ‡d 1952-
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100 1 _ ‡a Menninghaus, Winfried, ‡d 1952-
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4xx's: Alternate Name Forms (14)
5xx's: Related Names (2)
Works
| Title | Sources |
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| Admiration and adoration: their different ways of showing and shaping who we are. |
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| Aesthetic and emotional effects of meter and rhyme in poetry |
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| Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials |
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| Aesthetic emotions are a key factor in aesthetic evaluation: Reply to Skov and Nadal (2020) |
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| Aesthetics after Darwin: the multiple origins and functions of arts |
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| Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems |
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| Artistische Schrift Studien zur Kompositionskunst Gottfried Kellers |
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| Beauty, elegance, grace, and sexiness compared |
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| Being moved: linguistic representation and conceptual structure |
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| Benjamin's variations of imagelessness |
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| Biology a la mode: Charles Darwin's aesthetics of "ornament". |
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| Disgust the theory and history of a strong sensation |
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| Disgusto teoria e storia di una sensazione forte |
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| The Distancing-Embracing model of the enjoyment of negative emotions in art reception |
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| Ekel |
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| Ekel : Theorie und Geschichte einer starken Empfindung |
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| Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions |
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| Evolution of the human arts, 2019: |
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| The eye tracks the aesthetic appeal of sentences |
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| Fact vs fiction--how paratextual information shapes our reading processes |
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| Fantasmes, une archéologie des conceptions de l'imagination en psychologie et littérature, 1840-1930 (Flaubert, Čechov, Musil) |
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| Gedanken über die Natur der Poesie : Dichtungstheoretische Schriften |
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| Hälfte des Lebens Versuch über Hölderlins Poetik |
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| Hölderlinov sapfiški način: revizija mita o moškem pindarskem vidcu |
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| Hölderlin's Sapphic mode : revising the myth of the male Pindaric seer |
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| In praise of nonsense Kant and Bluebeard |
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| Kunst als "Beförderung des Lebens" : Perspektiven transzendentaler und evolutionärer Ästhetik |
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| Literaturwissenschaft und politische Kultur für Eberhard Lämmert zum 75. Geburtstag |
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| Lob des Unsinns. |
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| Mapping the aesthetic space of literature “from below” |
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| Measuring aesthetic emotions : a review of the literature and a new assessment tool |
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| Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation. |
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| Mimological Reveries? Disconfirming the Hypothesis of Phono-Emotional Iconicity in Poetry. |
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| mito |
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| Mugen-no-nijūka Romanshugi, Benyamin, Derida-ni-okeru-zettaiteki-jiko-hansei-riron |
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| n80087422 |
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| The neural correlates of emotion alignment in social interaction |
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| Neural processing of poems and songs is based on melodic properties |
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| Nowa estetyka? |
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| Old proverbs in new skins - an FMRI study on defamiliarization |
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| Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction |
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| Paul Celan |
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| Poetics of reduplicative word formation: evidence from a rating and recall experiment |
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| The power of emotional valence-from cognitive to affective processes in reading |
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| La promessa della Bellezza / Winfried Menninghaus ; a cura di Salvatore Tedesco ; traduzione di Davide Di Maio |
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| The quartet theory of human emotions: An integrative and neurofunctional model |
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| Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference |
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| READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders |
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| Reading poetry and prose: eye movements and acoustic evidence |
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| Schwellenkunde : Walter Benjamins Passage des Mythos |
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| Sei no nakaba : Herudarin shigaku ni matsuwaru shiron. |
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| Sentence-level effects of literary genre: behavioral and electrophysiological evidence |
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| Shikiigaku : Ben'yamin no shinwa no pasāju |
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| Tagebuch 1953-1963, Sangerhausen |
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| Tagebuch 1999-2001, Berlin - Wien |
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| Talking about Emotion: Prosody and Skin Conductance Indicate Emotion Regulation |
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| Talking about social conflict in the MRI scanner: neural correlates of being empathized with |
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| Text type attribution modulates pre-stimulus alpha power in sentence reading |
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| Theorie der Weiblichkeit |
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| Towards a psychological construct of being moved |
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| Unendliche Verdopplung die frühromantische Grundlegung der Kunsttheorie im Begriff absoluter Selbstreflexion |
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| Versprechen der schönheit |
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| Vom Kult zur Kultur : Bausteine zu einer Kritik der historischen Vernunft : gesammelte Aufsätze zur Religions- und Geistesgeschichte |
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| Walter Benjamins Theorie der Sprachmagie |
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| When we like what we know--a parametric fMRI analysis of beauty and familiarity |
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| Why we like to watch sad films. The pleasure of being moved in aesthetic experiences |
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| Wozu Kunst? |
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| Wstre̜t teoria i historia |
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| ダーウィン以後の美学 : 芸術の起源と機能の複合性 |
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| 吐き気 : ある強烈な感覚の理論と歴史 |
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| 敷居学 : ベンヤミンの神話のパサージュ |
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| 無限の二重化 : ロマン主義・ベンヤミン・デリダにおける絶対的自己反省理論 |
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| 生のなかば : ヘルダーリン詩学にまつわる試論 |
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| 美の約束 |
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