R-121 Ribbon Microphone
The R-121 is Royer’s flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s and changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more.
The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that’s easy to position, and it handles massive SPLs famously (160dB @ 1kHz). R-121s are built to use on guitar amps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments .
Patented Offset Ribbon Technology – 2 Mics in One!
The R-121 has a patented offset-ribbon transducer that positions the ribbon element closer to the front (logo) side of the microphone. It’s an integral piece of the magic of all Royer R-series microphones.
This arrangement does two things:
1) The ribbon element has more room to flex rearward and remain in the prime magnetic field when being driven hard, allowing the R-121 to deliver full frequency response on high SPL recordings. This is critical to the R-121s reputation for capturing outstanding electric guitars and brass.
2) When you flip the R-121 around, the signal is actually brighter on the back side of the mic (from 30-inches and closer), giving you two different sound characteristics in one microphone! Try recording acoustic instruments and vocals on the back side of the R-121 – it’s a sweeter sound pickup for softer, quieter applications. We also suggest flipping polarity on your pre or in your DAW when using the back side.
Hand Crafted in the USA
Royer blends cutting-edge technology with old-school construction techniques – think super-precision fits and processes mixed with 100% hand-building care and attention to detail. Every R-121 leaves our Burbank factory ready for a lifetime of active daily use. Tens of thousands of R-121s are on stands every day around the world, in commercial studios, home studios, and on active live stages.
We build the R-121 solidly enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we’ll stand behind it the whole way. If it ever needs a re-ribbon, the first re-ribbon is free.
Artist | Material | Engineer, Producer | Microphone | Instrument | Genre | Media |
---|---|---|---|---|---|---|
Johnny Hawthorn | Full Mix | Charley Pollard | R-121 | Electric Guitar | Rock | Audio |
Amalia Stephenson | Ribbons Only | Richard Dobson | R-121 | Vocals, Acoustic Guitar | Traditional | Audio |
Andy Georges | Isolated Ribbon Tracks | Dusty Wakeman | R-121 | Electric Guitar | Rock, Blues | Audio |
blink-182 | Full Mix | Sean O'Dwyer, Jerry Finn | R-121 | Piano | Rock | Audio, Photos |
Brian Setzer | Full Mix and Isolated Ribbon Tracks | John Holbrook, Dave Darling | R-121 | Electric Guitars, Big Band | Rock, Rockabilly | Audio |
California Wind Orchestra | Ribbons Only | John La Grou | R-121 | Woodwinds, Live | Classical | Audio |
Canaan | Full Mix | Kyle Homme, Shawn Sullivan | R-121 | Acoustic Guitar, Drums, Vocals | Pop | Audio |
Chlorine | Full Mix | Matt Hyde | R-121 | Electric Guitars | Rock | Audio |
Coal Chamber | Full Mix and Isolated Ribbon Tracks | Ross Hogarth | R-121 | Drum Room, Drums, Electric Guitar, Electric Guitar-Heavy Rock | Hard Rock | Audio, Photos |
Diana Krall | Full Mix | Al Schmitt, Tommy LiPuma | R-121 | Electric Guitar, Electric Guitar-Jazz | Jazz | Audio |
Fiach and Tradalsa | Ribbons Only | Christy | R-121 | Accordion, Acoustic Guitar, Bass | Celtic | Audio |
Jewel | Full Mix | Michael O'Reilly, Arif Mardin | R-121 | Electric Guitar, Orchestra, Pedal Steel Guitar | Pop | Audio |
Jim Lauderdale | Full Mix and Isolated Ribbon Tracks | Randy Kohrs | R-121 | Acoustic Guitar, Dobro | Country, Americana | Audio |
Jodi English | Isolated Ribbon Track | Les Camacho | R-121 | Kick Drum, Drums | Rock | Audio |
John Jennings | Educational Microphone Technique | Jeff Gross | R-121 | Acoustic Guitar, Comparisons | Folk | Audio |
John March | Ribbons Only | John March | R-121 | Acoustic Guitar, Electric Guitar, Home Recording | Blues | Audio |
Kings X | Full Mix and Isolated Ribbon Tracks | Michel Wagener | R-121 | Electric Guitars, Electric Guitar-Heavy Rock | Hard Rock | Audio, Photos, Video |
Lily Wilde and her Jumpin' Jubilee Orchestra | Ribbons Only | Craig Brock, Tom Royer | R-121 | Brass, Drum Room, Drums, Big Band | Jazz | Audio |
Loudmouth | Full Mix | Joe Barresi, Allen Sides, Johnny K, John Sullivan | R-121 | Drum Room, Electric Guitar, Electric Guitar-Heavy Rock | Rock | Audio |
Mark Knopfler | Full Mix | Chuck Ainlay | R-121 | Electric Guitars | Rock, Pop | Audio |
Marvelous 3 | Full Mix | Jerry Finn, Butch Walker, Joe McGrath | R-121 | Electric Guitars | Rock | Audio |
Melissa Etheridge | Full Mix and Isolated Ribbon Tracks | Ross Hogarth | R-121 | Drum Room, Drums, Electric Guitar | Rock, Pop | Audio, Photos |
Michael DeTemple | Ribbons Only | Michael DeTemple | R-121 | Vocals, Banjo, Acoustic Guitar | Folk, Bluegrass | Audio |
Monster Magnet | Full Mix | Randy Staub, Matt Hyde | R-121 | Drum Room, Drums, Electric Guitar | Hard Rock | Audio |
Rafael Manriguez and Quique Cruz | Full Mix | Brian Knave | R-121 | Violin | World | Audio |
Rascal Flatts | Full Mix | Justin Niebank, Dan Huff | R-121 | Electric Guitars | Rock, Country | Audio |
Robert Cray | Full Mix | Don Smith, Steve Jordan | R-121 | Electric Guitars, Vocals | Blues | Audio |
Ross Hogarth | Isolated Ribbon Tracks | Ross Hogarth | R-121 | Bongo, Drum Overhead, Drum Room, Drums, Electric Guitar, Electric Guitar-Heavy Rock, Percussion, Shaker | Rock | Audio |
Shawn Sullivan | Isolated Ribbon Track | Shawn Sullivan | R-121 | Acoustic Guitar | Pop, Folk | Audio |
Sixpence None The Richer | Full Mix | Russ Long, Steve Taylor | R-121 | Electric Guitars, Cello | Pop, Rock, Christian Rock | Audio |
Slash | Isolated Ribbon Track | Jim Mitchell | R-121 | Electric Guitar | Rock | Audio |
Sonny Landreth LIVE | Full Mix and Isolated Ribbon Tracks | Tony Daigle | R-121 | Live, Electric Guitars | Blues, Rock | Audio, Photos |
Steve Albini | Microphone Comparisons | Steve Albini | R-121 | Acoustic Guitar, Comparison, Drums, Electric Guitar, Electric Guitar-Rock, Saxophone, Trumpet | Rock, Jazz, Folk | Audio |
Teddy Andreas and Bruce Watson | Ribbons Only | Neil Citron | R-121 | Acoustic Guitar, Accordion | Pop, Folk | Audio |
The Quincy Jones - Sammy Nestico Orchestra | Full Mix | Tommy Vicari, Quincy Jones, Sammy Nestico, Jerry Hey | R-121 | Big Band, Brass, Trombone, Trumpet | Jazz | Audio |
Treble Charger | Full Mix | Matt Hyde | R-121 | Electric Guitars | Rock | Audio |
Backward R-121 Samples | Full Mix and Isolated Ribbon Tracks | Various | R-121 | Various | Various | Audio |
Dirty Dozen Brass Band 1 | Full Mix and Isolated Ribbon Tracks | Clint Bennett, Anthony Marinelli, Shawn Amos | R-121, R-122 | Brass,Drums, Percussion,, Saxophone, Sousaphone, Tuba, Vocals | New Orleans Brass Band | Audio, Photos |
Stephen Bruton | Full Mix and Isolated Ribbon Tracks | Ross Hogarth, Stephen Bruton | R-121, R-122 | B3, Drum Room, Drums, Electric Guitar, Harmonica, Resonator Guitar | Rock, Blues | Audio |
Lukas Rossi and Kenny Aronoff | Full Mix and Isolated Ribbon Tracks | Ross Hogarth | R-121, R-122, R-122V, SF-24 | Drum Overhead, Drum Room, Drums, Electric Guitar, | Rock, Pop | Video |
Ross Hogarth and Tim Pierce | Ribbons Only, Educational | R-121, R-122, R-122V, SF-24 | Electric Guitar, Electric Guitar-Heavy Rock, Electric Guitar-Jazz, Electric Guitar-Rock | Rock, Blues, Heavy Rock, Pop | Video | |
Fab recording Will Knox | Full Mix | Fab | R-121, R-122, R-122V, SF-24, SF-2 | Acoustic Guitar, Banjo, Drum Overhead, Drums, Fiddle, Kick Drum, Standup Bass, Tom-Toms, Upright Bass, Violin | Folk | Video |
Arturo Sandoval | Full Mix | Al Schmitt, Gary Grant, Arturo Sandoval | R-121, R-122, SF-12 | Big Band, Brass, Drum Overhead, Drums,åÊ Trombone, Trumpet | Jazz | Audio, Photos, Video |
Dirty Dozen Brass Band 2 | Full Mix and Isolated Ribbon Tracks | Clint Bennett, Anthony Marinelli, Shawn Amos | R-121, R-122, SF-12 | Brass,åÊ Electric Guitar, Sousaphone, Trombone, Trumpet, Tuba | New Orleans Brass Band | Audio, Photos |
Cyrius | Full Mix | Bruce Swedien | R-121, SF-12 | Percussion, Congas, Timbales | World | Audio, Photos |
John Thomas | Ribbons Only | Dusty Wakeman | R-121, SF-12 | Acoustic Guitars | Folk, Americana | Audio, Photos |
Les Go | Full Mix | Bruce Swedien | R-121, SF-12 | Percussion, Hammer Dulcimer | World Pop | Audio |
Roger Wojahn & Scott Wojahn | Full Mix | Steve Kempster | R-121, SF-12 | Drum Overhead, Drums, Electric Guitar, Percussion, Violin | World | Audio |
The Carl Verheyen Band | Full Mix | Shawn Sullivan | R-121, SF-12 | Drum Room, Drums, Electric Guitar | Blues, Rock | Audio |
Tony Furtado | Full Mix | Dusty Wakeman | R-121, SF-12 | Acoustic Guitar, Drum Room,åÊ Electric Guitar | Americana, Rock | Audio |
Kevin Shepard | Isolated Ribbon Tracks | Roger Summers | R-121, SF-12, SF-1 | Drum Overhead, Drums, Kick Drum | Rock | Audio, Photos |
Brian Setzer | Full mix | Jimbo Neal | R-121, SF-24 | Big Band, Electric Guitar, Drums, Brass | Rock, Rockabilly | Video |
Gordon Goodwin | Full Mix and Isolated Ribbon Tracks | Tommy Vicari, Gordon Goodwin | R-121, SF-24 | Big Band, Brass, Saxophone, Trumpet | Jazz | Audio |
Matchbox Twenty LIVE | Full Mix and Isolated Ribbon Tracks | Jim Ebdon | R-121Live | Live, Electric Guitars | Rock, Pop | Audio, Photos |
Features
High SPL Capabilities
No internal active electronics to overload or produce distortion up to maximum SPL rating
Extremely low residual noise
Ribbon element is not affected by heat or humidity
Absence of high frequency phase distortion
Equal sensitivity from front or back of element
Consistent frequency response regardless of distance
Applications
Electric Guitar Amps
Brass Instruments
Horn Sections
Drum Rooms
Kick Drum
Woodwinds
Percussion Instruments
Acoustic Piano
Acoustic Guitar
String Instruments & Sections
Choirs & Orchestras
Commercial Broadcast
Technical Specifications
Acoustic Operating Principle: Electrodynamic pressure gradient
Polar Pattern: Figure-8
Generating Element: 2.5-micron aluminum ribbon
Magnets: Rare Earth Neodymium
Frequency Response: 30 -15,000 Hz +/- 3dB
Sensitivity: -47 dBv Re. 1v/pa
Output Impedance: 300 Ohms @ 1K (nominal)
Rated Load Impedance: >1500 Ohms @ 300 Ohms
Maximum SPL: >135dB @ 20 Hz
Output Connector: Male XLR 3 pin (Pin 2 Hot)
Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional
Polar Pattern
Frequency Response
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